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Psych Engine FNFをやっている人ならPsych Engineという言葉を見かけたことがあると思います。Psych Engineについて知らない人がいると思うので、解説します。 概要 Psych Engineとは、Shadow Marioさんによって作られたFNFのMOD作成ENGINEです。 Kade EngineなどもありますがこのEngineがダントツで人気です。 Psych Engineは誰でもMODを作ることができて初心者にもお勧めです。 できること Psych Engineでできることをまとめました。 Logoの変更 Creditの作成 Weekの作成 キャラクターの作成 曲の作成 カットシーンやダイアログの追加 ノーツの見た目変更 その他にもいろいろできます。さすがにすべてを紹介することはできないので割愛します。 まとめ Psych EngineはかなりつかいやすいEngineだと思います。 皆さんもこれを機にFNFのMODを作ってみませんか？
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Townsmen - A Kingdom Rebuilt 項目数：100 総ポイント：1000 難易度： I ve been everywhere I Finish the scenario “Tournament“. 5 I ve been everywhere II Finish the scenario “Late fall“. 5 I ve been everywhere III Finish the scenario “Economic crisis“. 5 I ve been everywhere IV Finish the scenario “Draught“. 5 I ve been everywhere V Finish the scenario “Trading post“. 5 I ve been everywhere VII Finish the scenario “Wedding“. 5 I ve been everywhere VII Finish the scenario “Cathedral“. 5 I ve been everywhere VIII Finish the scenario “Harsh winter“. 5 I ve been everywhere IX Finish the scenario “Unrest“. 10 I ve been everywhere X Finish the scenario “The King s wager“. 10 Ten-Hut! Complete the scenario “Military Basic Training”. 5 Brew master Complete the scenario “The perfect brew“. 10 Panacea Complete the scenario “The King s disease“. 10 Little place in the country Complete the scenario “Farmland“. 5 War-zone Complete the scenario “War-ridden“. 10 It went unnoticed Complete the scenario “Behind the blinders“. 10 Treat her well… Complete the scenario “A girl s desires“. 10 Completionist I Complete 50 quests. 5 Completionist II Complete 150 quests. 10 Completionist III Complete 250 quests. 15 Builder I Reach a population of 50 in one town. 5 Builder II Reach a population of 100 in one town. 5 Builder III Reach a population of 200 in one town. 10 Builder IV Reach a population of 300 in one town. 10 Builder V Reach a population of 500 in one town. 15 Tax-man I Collect taxes 1000 Thaler. 5 Tax-man II Collect taxes 10000 Thaler. 5 Tax-man III Collect taxes 50000 Thaler. 10 Tax-man IV Collect taxes 100000 Thaler. 10 Tax-man V Collect taxes 1000000 Thaler. 15 I like to build stuff... I Build 10 buildings in one town. 5 I like to build stuff... II Build 25 buildings in one town. 5 I like to build stuff... III Build 50 buildings in one town. 10 I like to build stuff... IV Build 75 buildings in one town. 10 I like to build stuff... V Build 100 buildings in one town. 15 Full-time job I Repair 50 buildings. 5 Full-time job II Repair 150 buildings. 10 Full-time job III Repair 500 buildings. 15 Bread for the people I Produce 200 bread in one town. 5 Bread for the people II Produce 500 bread in one town. 10 Bread for the people III Produce 1000 bread in one town. 15 Tools of the trade I Produce 200 tools in a town. 5 Tools of the trade II Produce 500 tools in a town. 10 Tools of the trade III Produce 1000 tools in a town. 15 The King s new clothes I Produce 200 clothes in one town. 5 The King s new clothes II Produce 500 clothes in one town. 10 The King s new clothes III Produce 1000 clothes in one town. 15 My precious... I Produce 200 jewels in one town. 5 My precious... II Produce 500 jewels in one town. 10 My precious... III Produce 1000 jewels in one town. 15 Five brews are a schnitzel Produce 1000 brew in a scenario. 15 Only the sausage has two ends. Produce 1000 sausages in a scenario. 15 Lord of War Produce 250 weapons and armor in a scenario. 10 An honorable Governor I Earn 250 Prestige by completing quests. 5 An honorable Governor II Earn 750 Prestige by completing quests. 10 An honorable Governor III Earn 2500 Prestige by completing quests. 15 A time consuming game I Play for 60 minutes. 5 A time consuming game II Play for 120 minutes. 5 A time consuming game III Play for 300 minutes. 10 A time consuming game IV Play for 500 minutes. 10 A time consuming game V Play for 1000 minutes. 15 When there s fire... Extinguish 100 burning buildings. 15 Just let it burn! Lose 100 buildings to fire. 15 We can rebuild it! Lose every burnable building of a town to fire. 20 Saint Florian In a scenario, don t lose a single building to fire. 15 Cosmas and Damian In a scenario, don t lose a single Townie to the plague. 15 Eureka! Complete your first research. 5 Researcher Complete 5 researches. 10 Genius Complete 40 researches. 15 Last man standing Defeat 4 bandits with a single soldier in a fight. 15 You shall not pass Don t let any bandits successfully raid your town in a scenario. 15 To serve and protect Have full guard tower coverage in a town with a population of 100. 10 Another one bites the dust Defeat 50 bandits. 10 The Art of War Win 100 fights against bandits. 10 The wood shortage Complete the scenario “The wood shortage“. 5 Waterways Complete the scenario “Waterways“. 15 Craftsmen challenge Complete the scenario “Craftsmen challenge“. 10 Buried Complete the scenario “Avalanche risk“. 20 Tired by festival Complete the scenario “A year of festivities“. 15 Penny pincher Complete the scenario “Moneybags“. 10 Survivalist Survive 4 different disasters in one town. 15 Good luck, miner! Do not lose any mines in the scenario “Avalanche Risk”. 20 Malediction Complete the scenario “The curse”. 15 Impregnable Complete the scenario “Under siege”. 10 Governor-elect Complete the scenario “Election day”. 20 Now everyone is satisfied Convince all factions in the scenario “Election day”. 15 Experienced decorator Build decorations from 8 different decoration categories. 10 Reunification Complete the scenario “A tale of two clans”. 5 Made my choice Complete the scenario “Insane Choices”. 5 Negotiator Complete the scenario “Diplomatic Visit”. 5 Chief Inspector Finish the scenario "The Beast". 10 An honorable departure Finish the scenario "The Legacy". 5 LEGEN… wait for it… DARY Finish the scenario "The Legendary Tasks". 10 Plague strikes! Cure 100 Townies from the plague. 10 A new beginning Complete the first chapter of the tutorial campaign. 5 Friends from the past Complete the second chapter of the tutorial campaign. 5 Time for some trade Complete the third chapter of the tutorial campaign. 5 Knee deep in snow Complete the fourth chapter of the tutorial campaign. 10 Conflicting parties Complete the fifth chapter of the tutorial campaign. 10 Out of the frying pan Complete the sixth chapter of the tutorial campaign. 15
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The Shaper Book Taunton Pr? Lonnie Bird? TauntonPr? LonnieBird? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-Home&Garden? Subjects-Engineering-Civil-Construction-General? Subjects-Home&Garden-Crafts&Hobbies-General? Subjects-Home&Garden-Crafts&Hobbies-Woodworking-General? Subjects-Home&Garden-Crafts&Hobbies-Woodworking-Projects? Subjects-Home&Garden-Crafts&Hobbies-Woodworking-Tools? Subjects-Home&Garden-HomeDesign-Buildings&Construction? Subjects-Professional&Technical-Engineering-Civil-Construction-General? Doors The Best of Fine Homebuilding (Best of "Fine Homebuilding") Taunton Pr? Fine Homebuilding? Taunton Press? TauntonPr? FineHomebuilding? TauntonPress? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-Home&Garden? Subjects-Arts&Photography-Architecture-General? Subjects-Engineering-Civil-Construction-BuildingConstruction? Subjects-Engineering-Civil-Construction-Carpentry? Subjects-Home&Garden-HomeDesign-Design&Construction? Subjects-Home&Garden-HomeDesign-Remodeling&Renovation-General? 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Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-Manufacturing? Subjects-Science-Physics-Applied? More Small Houses Fine Homebuilding Great Houses (Great Houses) Taunton Pr? Fine Homebuilding Magazine? TauntonPr? FineHomebuildingMagazine? ユーズドブック(洋書)-Business&Investing? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-Home&Garden? Subjects-Arts&Photography-Architecture-BuildingTypes&Styles-Residential? Subjects-Arts&Photography-Architecture-General? Subjects-Business&Investing-Industries&Professions-RealEstate-General? Subjects-Engineering-Civil-Construction-BuildingConstruction? Subjects-Home&Garden-HomeDesign-Design&Construction? Subjects-Home&Garden-HomeDesign-General? Subjects-Home&Garden-HomeDesign-HousePlans? Subjects-Home&Garden-General? Subjects-Professional&Technical-Engineering-Civil-Construction-BuildingConstruction? Subjects-Professional&Technical-Architecture-BuildingTypes&Styles-Residential? Subjects-Professional&Technical-Architecture-General? Subjects-Professional&Technical-Accounting&Finance-Industries&Professions-RealEstate-General? Code Check A Field Guide to Building a Safe House Taunton Pr? Redwood Kardon? TauntonPr? RedwoodKardon? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-Home&Garden? Substores-UnknownASINs-64? Subjects-Engineering-Civil-Construction-General? Subjects-Engineering-Civil-Construction-BuildingInspection? Subjects-Engineering-Civil-Construction-BuildingCodes&Laws? Subjects-Home&Garden-HomeDesign-Buildings&Construction? Subjects-Home&Garden-How-to&HomeImprovements-Do-It-Yourself? Subjects-Home&Garden-How-to&HomeImprovements-Reference? Subjects-Professional&Technical-Engineering-Civil-Construction-General? Subjects-Professional&Technical-Engineering-Civil-Construction-BuildingInspection? Subjects-Professional&Technical-Engineering-Civil-Construction-BuildingCodes&Laws? Elements Of Applied Bifurcation Theory (Applied Mathematical Sciences) Springer? Yuri A. Kuznetsov? Iu. A. Kuznetsov? Springer? YuriA.Kuznetsov? 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Subjects-Home&Garden-How-to&HomeImprovements-Electrical? Subjects-Home&Garden-How-to&HomeImprovements-Reference? Subjects-Professional&Technical-Engineering-Civil-Construction-BuildingCodes&Laws? Subjects-Reference-General? Building And Designing Decks Taunton Pr? Scott Schuttner? TauntonPr? ScottSchuttner? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-Home&Garden? Substores-UnknownASINs-36? Subjects-Engineering-Civil-Construction-Carpentry? Subjects-Home&Garden-Gardening&Horticulture-Outdoor&RecreationalAreas? Subjects-Home&Garden-HomeDesign-Design&Construction? Subjects-Professional&Technical-Engineering-Civil-Construction-Carpentry? Trim Carpentry Techniques Installing Doors, Windows, Base and Crown (For Pros/By Pros Series) Taunton Pr? Craig Savage? TauntonPr? CraigSavage? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-Home&Garden? Subjects-Engineering-Civil-Construction-Carpentry? Subjects-Home&Garden-HomeDesign-Design&Construction? Subjects-Home&Garden-How-to&HomeImprovements-Carpentry? 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A Spin Around Moving Lights High End Systems? Raymond A. Kent? HighEndSystems? RaymondA.Kent? ジャンル別? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Subjects-Science-General With Our Own Eyes Eyewitnesses To The Disappearance Of Amelia Earhart Lucky Pr? Mike Campbell? Thomas Devine? LuckyPr? MikeCampbell? ThomasDevine? ジャンル別? Subjects-Biographies&Memoirs-General? Subjects-Biographies&Memoirs-Historical-General? Subjects-Biographies&Memoirs-SpecificGroups-Women? Subjects-Biographies&Memoirs-SpecificGroups-Adventurers&Explorers? Subjects-Biographies&Memoirs-People,A-Z-(E)-Earhart,Amelia? Subjects-Engineering-General? Subjects-Health,Mind&Body-Self-Help-General? Subjects-History-World-Transportation-Aviation? Subjects-Nonfiction-Transportation-Aviation-History? Subjects-Professional&Technical-Engineering-General Numerical Analysis Using Matlab And Spreadsheets Orchard Publications? Steven T. Karris? OrchardPublications? StevenT.Karris? ジャンル別? 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ZWISCHENAKTS-MUSIK ZWEITER AKT （Im Palast des Herzogs. Prachtvoller Saal. Rückwärts mächtige Glastüren. Der vordere Teil des ganzen Raumes, der durch eine grosse Portiere von der weiten Hinterbühne abgetrennt werden kann, bildet unterstützt durch entsprechende Möblierung ein eigenes, intim wirkendes Gemach.） ERSTER AUFTRITT （Der Herzog. Centurio. Balbi） HERZOG （festlich gekleidet, geht ungeduldig auf und ab. Zu Centurio, der nach rückwärts späht） Wo bleibt nur Caramello? CENTURIO Vielleicht hat Signora Barbara Widerstand geleistet! HERZOG Kaum glaublich! Sind meine Leute instruiert? CENTURIO Nach Eurer Hoheit Befehl! HERZOG Sobald also diese Vorhänge geschlossen sind, wird niemand mehr vorgelassen! Und sie werden geschlossen, sobald Caramello mit einer Dame kommt. （Nervös） Leider kommt er noch immer nicht! BALBI （von rechts） Eure Hoheit! HERZOG Was gibt s? Ist Caramello da? BALBI Nein, Euer Hoheit . Gäste! HERZOG Führe sie in den Festsaal - hier will ich allein bleiben! BALBI Es sind Damen! HERZOG （aufhorchend） Damen? Hübsch? Jung? BALBI Es sind lauter Frauen von Senatoren! HERZOG （sehr überrascht） Senatorsfrauen, die trotz des Verbots ihrer Männer mein Haus betreten? Da bin ich doch neugierig herein mit ihnen! ZWEITER AUFTRITT （Vorige. Agricola, Constantia, Notbierga, Macedonia, Teodolinda und andere Senatorsfrauen, Balbi lässt die Damen, die Maskenkostüme tragen, aber unverlarvt sind, eintreten. An der Spitze kommt Agricola, eine dicke alte Dame, die jedoch noch sehr lebenslustig ist） Nr. 8 - Damenchor und Couplet DIE SENATORSFRAUEN Nur ungeniert hereinspaziert, Der Herzog lud uns ein! Drum soll Senat und hoher Rat Nicht hinderlich uns sein. Zu sagen Nein"" wär gar nicht fein," Man muss doch höflich sein! Wir sagten "Ja" und sind nun da Trotz unsrer Minncr Schrein. Die machen sich nur lächerlich Mit ihrer Politik - Von einem Ball im Karneval, Da hält uns nichts zurück! ▼AGRICOLA▲ （nach einer tiefen Verbeugung vor dem Herzog） Venedigs Frauen herzuführen Hab übernommen ich als Pflicht, Was kann uns Schlimmes hier passieren, So ängstlich sind wir nicht! Nein! ▼ALLE, HERZOG▲ So ängstlich sind wir (sie) nicht! ▼AGRICOLA▲ Dass Sie, Herr Herzog, allen Frauen Gefährlich sind, sagt das Gerücht, Doch unsrer Tugend wir vertrauen, So ängstlich sind wir nicht! ▼ALLE, HERZOG▲ So ängstlich sind wir (sie) nicht! ▼HERZOG▲ （ironisch） Verstehe ich die Damen recht, führt Sie die Opposition gegen Ihre Männer hierher? ▼AGRICOLA▲ Nicht diese allein, Hoheit! Wir wollen den tollen Herzog persönlich kennenlernen, einen Mann, von dessen Galanterie an allen 149 Kanälen Venedigs gesprochen wird. Einen Mann, der auf jeder der 370 Brücken Venedigs schon ein verliebtes Abenteuer hatte, einen Mann, der auf jeder der 117 Inseln Venedigs ein Opfer zurückliess! ▼HERZOG▲ （lachend） Ja, man vermag sehr viel in der Liebe, wenn man ihr ausschliesslich lebt! ▼AGRICOLA▲ Ihre Hand, mein Fürst! Sie sind zwar ein liebenswürdiger Taugenichts durch und durch aber … （schnalzt mit den Fingern und schüttelt ihm energisch die Hand） … ich achte Sie! ▼HERZOG▲ （wie oben） Wenn Sie mich besser kennen würden ▼AGRICOLA▲ Das verlange ich nicht, aber … （wie oben） ich achte Sie! （Kokett） Ist es wahr, Herzog, dass Sie nach Venedig mit Heiratsplänen gekommen sind? ▼HERZOG▲ Nein, Signora, ich mache die Reise durchs Leben nicht gerne mit Gepäck! ▼AGRICOLA▲ Oh, dieser Vergleich des ewig Weiblichen mit einem Reisekoffer ist zwar kühn, aber … （wie oben） … ich achte Sie! ▼CENTURIO▲ （ist rückwärts eingetreten, leise zum Herzog） Hoheit, eine Gondel, ich glaube Caramello zu erkennen! ▼HERZOG▲ （selig） Endlich! （Laut）. Meine Damen, gestatten Sie, dass ich Sie in den Bankettsaal führe! （Bietet zwei jungen hübschen Senators frauen den Arm） ▼AGRICOLA▲ （verletzt） Oho, Herr Herzog, ich glaube, Ihr Arm gebührt den älteren Senatorinnen! ▼HERZOG▲ （macht sich von den beiden jungen Damen los） Signora, die älteren Senatorinnen… （schüttelt ihr die Hand） …achte ich, aber nach den jüngeren schmachte ich! ▼AGRICOLA▲ Die älteren Senatorinnen würden vor dem tollen Herzog auch nicht zurückschrecken, denn ▼ALLE SENATORSFRAUEN▲ （singend） So ängstlich sind wir nicht! (usw.) （Der Herzog geleitet die Damen bis an die Tür, bleibt dann allein zurück） DRITTER AUFTRITT （Herzog. Centurio） ▼CENTURIO▲ （kommt） Caramello ist schon im Palais! ▼HERZOG▲ Allein? ▼CENTURIO▲ Mit einer maskierten Dame! ▼HERZOG▲ Wirklich? Also, du weisst alles Vorhänge schliessen, niemand vorlassen! Wo ist ein Spiegel? Wie sehe ich aus? ▼CENTURIO▲ Verführerisch wie immer! ▼HERZOG▲ Weisst du, was diese Stunde mir bringt? Ein neues Glück! Ein neues Abenteuer! Du weisst doch, treu sein das liegt mir nicht! （Entlässt Centurio durch eine Handbewegung） Nr. 9 - Lied ▼HERZOG▲ Treu sein, das liegt mir nicht, Weil ich leicht den Kopf verlier, Wenn ich nur ein Mädel spür, Kann ja nichts dafür! Ja, treu sein das liegt mir nicht, Weil mein Blut nach Liebe drängt, Und mein Herz an Schönheit hängt, Gleich Feuer fängt! Das ist meine Manier Und jetzt geh ich zu ihr! Und morgen, ach ja, morgen dann, Fang ich was Neues an. Was liegt daran? Hab stets an eine nur gedacht, An die von heute Nacht! Ich liebe sie Bis früh! Ja, treu sein - das liegt mir nicht, Weil mein Blut nach Liebe drängt, Wenn ich nur ein Mädel spür, Kann ja nichts dafür! Ja, treu sein das kann ich nicht, Weil mein Blut nach Liebe drängt Und mein Herz an eine nur denkt. An sie, nur an sie! Bis früh! （Eilt ab） VIERTER AUFTRITT （Annina. Caramello） ▼CARAMELLO▲ （trägt die halb ohnmächtige Annina, die noch eine Larve trägt, atemlos in den Saal） Puh!… Gott sei Dank, dass ich hier bin! Wo soll ich sic denn hinlegen? （Blickt suchend nach einem Sofa） Diese Signora Barbara ist für eine leichtlebige Venezianern ziemlich schwer! （Geht mit ihr auf und ab） Die schaut nur so leicht aus! Die hat das Gewicht inwendig! （Renkt sich die Arme aus. Zum Publikum） Also bitte, wenn man bedenkt, so ein Haus, so ein Saal und keine Liegegelegenheit! （Setzt sich in einen Fauteui） ▼ANNINA▲ （seufzt） Ah! ▼CARAMELLO▲ Sagten Sic etwas? ▼ANNINA▲ （Wie oben） Ah! ▼CARAMELLO▲ （kopiert sie） Ah! （Zum Publikum） Sie hat A gesagt, da wird sie auch bald B sagen! Der Herzog wird sie schon gesprächig machen! （zu Annina） Sie müssen sich in die Lage finden, Signora Barbara! ▼ANNINA▲ （schwach） Ich bin schon in der Lage, Signor Caramello! ▼CARAMELLO▲ （erstaunt, für sich） Cararnello? Sic kennt mich? （laut） Woher kennen Sie mich denn? Ich bin doch der Gondoliere Franccsco. （zu Annina） Sie kennen mich? ▼ANNINA▲ Ich kenne Sie und die Erkorene Ihres Herzens! ▼CARAMELLO▲ Die Erkorene meines Herzens? （setzt sich interessiert zu ihr） Da müssen Sie mir schon sagen, welche Erkorene Sie meinen! ▼ANNINA▲ Haben Sie denn mehrere? ▼CARAMELLO▲ Ich habe mehrere! Denn （singt parodistisch, den Herzog kopierend） Treu sein das liegt mir nicht! Also, welche Erkorene meinen Sie? ▼ANNINA▲ Nun, Annina, meine Milchschwester! ▼CARAMELLO▲ （geringschätzig） Ach so, Annina … die Milch - Annina! Gott, ein einfaches Fischermädchen, eine kleine Tändelei! Was ist das gegen Sie, schöne Barbara! ▼ANNINA▲ Barbara! （Springt auf und tritt ihm dabei absichtlich auf den Fuss） ▼CARAMELLO▲ Au! Den Tritt kenne ich! ▼ANNINA▲ （nimmt die Maske ab） Esel! Ich bin es, Annina! ▼CARAMELLO▲ （erschrocken） Annina? Gehorsamster Diener! Barbara - Annina - Annina - Barbara! ▼ANNINA▲ Ja, ich bin das "einfache Fischermädchen"! ▼CARAMELLO▲ Unglückliche, was willst du denn hier? ▼ANNINA▲ Ja, mein Lieber, das muss ich dich fragen, der mich für den Herzog entführte! ▼CARAMELLO▲ Dich? Ich wollte ja Delacquas Frau entführen! （ängstlich） Wenn der Herzog den Missgriff entdeckt, macht er mich um zwei Köpfe kürzer! ▼ANNINA▲ （pathetisch） Sei ganz ruhig, ich werde meine Rolle als Senatorsfrau ganz gut spielen! （legt den Domino ab, trägt unter demselben ein prachtvolles Staatskleid, stolziert auf und ab, stolpert dabei über die Schleppe） ▼CARAMELLO▲ Du willst eine Senatorsfrau sein? Wenn der Herzog dich sieht, ist er imstande… ▼ANNINA▲ （kokett） … sich in mich zu verlieben! ▼CARAMELLO▲ Jawohl! und das dulde ich nicht! （schreiend） Das dulde ich nicht! （Da ihm Annina droht, geduckt, ganz kleinlaut） Das dulde ich nicht! （Will ihr den Domino über die Schultern legen） Komm ins Gonderl! Nr. 10a - Duett ▼CARAMELLO▲ Hör mich, Annina, Komm in die Gondel, Hör doch, komm doch! ▼ANNINA▲ Nein, ich bleibe, Will mich amüsieren, Will im Tanze Den Herzog verführen! ▼CARAMELLO▲ Gut! Doch bleibst du, So bleib ich bei dir Und tanzst du, Bin ich dein Tanzkavalier! ▼ANNINA▲ Haha! Ein feiner Kavalier! ▼CARAMELLO▲ （parodistisch übertrieben） Erlauben Sie mir, Um ihre Taille den Arm zu legen! ▼ANNINA▲ （ebenso, affektiert） Oh, bitte sehr, Tröten Sie nöher, Ich lieb den Tanz! （reicht ihm die Hand zum Kuss） ▼CARAMELLO▲ Wie sie sich spreizt, Die dumme Gans! （schlägt ihr auf die dargebotene Hand） ▼ANNINA▲ Ach, wie so schön, Sich ein wenig zu drehn… Herrlich, prächtig! ▼CARAMELLO▲ Sie schwärmt für den Tanz, Das muss man nützen! Bitte, sich nicht so sehr zu erhitzen! Jetzt rasch einen Kuss, Mit dem Tanzen mach Schluss! ▼ANNINA▲ Noch ein bisschen! ▼CARAMELLO▲ Erst ein Küsschen! ▼ANNINA▲ Nein, nein, nein! ▼CARAMELLO▲ Ja, beim Tanz Hüpft das Herz! Wie das rührt Und verführt! Lust und Scherz Jetzt regiert, Wang an Wang , Jeden Zwang Löst der Klang! So, jetzt haben wir getanzt und jetzt gehen wir! ▼ANNINA▲ Nein, ich bleibe, und wenn du dich auf den Kopf stellst! ▼CARAMELLO▲ Warum soll ich mich auf den Kopf stellen? Ich kann ja gar nicht auf dem Kopf stehen! FÜNFTER AUFTRITT （Vorige. Herzog） （Der Herzog kommt von links. Annina nimmt rasch ihre Larve vors Gesicht） ▼ANNINA▲ Er ist schon da! ▼CARAMELLO▲ （sich verbeugend, aufgeregt） Durchlaucht! （zu Annina） Na Wart! ▼HERZOG▲ Caraniello, ich bin mit dir zufrieden! ▼CARAMELLO▲ Ich auch mit Ihnen, Durchlaucht! ▼HERZOG▲ Hat sie Widerstand geleistet? Geschrie n? ▼CARAMELLO▲ Furchtbar! Wenn ich Eurer Hoheit raten darf, lassen Sie sie laufen, schicken wir sie nach Hause, es ist nichts dran an ihr! ich bringe eine andere! ▼HERZOG▲ Dumrnkopf, wo denkst du hin? Lass uns allein, fort, hinaus! ▼CARAMELLO▲ （zu Annina, befehlend） Lass uns allein, fort, hinaus! （Der Herzog klopft ihm auf die Achsel） Herein! ▼HERZOG▲ Dich meine ich, hinaus! ▼CARAMELLO▲ （wie oben, zu Annina） Dich meine ich, hinaus! ▼HERZOG▲ Du sollst hinaus, Caramello! ▼CARAMELLO▲ Ah, ich soll hinaus? Na ja, das ist was anderes! Aber, Hoheit, eines kann ich ihnen sagen trauen Sie ihr nicht, sie ist gemeingefährlich, sie beisst! ▼HERZOG▲ Desto besser, ich liebe den Widerstand! ▼CARAMELLO▲ （kleinlaut） Da kann man nichts machen! ▼HERZOG▲ （ungeduldig） So geh doch endlich! （Nervös auf und ab） ▼CARAMELLO▲ （folgt ihm auf Schritt und Tritt） Hoheit, trauen Sie ihr nicht! Es wäre schade um Ihr schönes Gesicht … …sie hat einen Dolch im Gewande! （Stösst an den Herzog, der sich plötzlich umdreht） ▼HERZOG▲ Wirst du dich endlich hinausscheren? ▼CARAMELLO▲ Scheren - das ist das Stichwort für einen Barbier! Scheren! （Geht nach rückwärts, plötzlich los brechend） Himmel, Herrgott! Wenn ich nur jetzt jemand hätte, an dem ich meine Wut auslassen könnte! Oh! （Rauf! sich wütend die Haare und geht ab） SECHSTER AUFTRITT （Der Herzog. Annina） Nr. 10b - Duett ▼HERZOG▲ So sind wir endlich denn allein Nun lösen Sie Ihr Wort auch ein! ▼ANNINA▲ Was für ein Wort? ▼HERZOG▲ Ihr Angesicht Hat stets die Larve mir verhüllt! ▼ANNINA▲ （kokett die Maske lüftend）. Wenn nur Ihr Hoffen sich erfüllt! ▼HERZOG▲ Was seh ich? Weit ist s übertroffen! O Engelsbild! （Will sie umarmen） ▼ANNINA▲ Nur nicht so nah! ▼HERZOG▲ Warum so grausam, Barbara?! Ach, Ihre Nachsicht ging für mich Sonst weiter doch! ▼ANNINA▲ （für sich） Was hör ich da? （lLaut） Wie weit ging sie denn eigentlich? ▼HERZOG▲ Sie sagten… ▼ANNINA▲ Nun, was sagte ich? 1 ▼HERZOG▲ Sie sagten meinem Liebesflehn Gewährung zu beim Wiedersehn! Ich hoffe, Sie erinnern sich! ▼ANNINA▲ Nein, mir ist nichts erinnerlich! ▼HERZOG▲ Sie sprachen dann von Sympathie Und von… ▼ANNINA▲ Ich sagte »Schweigen Sie!» Sie werden wohl erinnern sich?! ▼HERZOG▲ Das ist mir nicht erinnerlich! ▼ANNINA▲ Von der guten Barbara Hört man saubre Dinge da, Das muss ich gestehn! Gar zu gerne wüsste ich, Wie die beiden eigentlich Miteinander stehn! ▼HERZOG▲ Endlich nun mir wieder nah, Heissgeliebte Barbara! Hör mein liebend Flehn! Heute noch möcht wissen ich, Wie wir beide eigentlich Miteinander stehn! 2 ▼HERZOG▲ Als zärtlich Sie umfing mein Arm, Da seufzten Sie »Es ist sehr warm!« Ich hoffe, Sie erinnern sich! ▼ANNINA▲ Nein, mir ist nichts erinnerlich! ▼HERZOG▲ Dann hab ein Küsschen ich begehrt Und Sie… ▼ANNINA▲ Ich sagte "Unerhört!" Sie werden wohl erinnern sich! ▼HERZOG▲ Nein, mir ist nichts erinnerlich! ▼ANNINA▲ Von der guten Barbara… （usw. bis Schluss, dann beide rechts ab） SIEBENTER AUFTRITT （Caramello. Herzog） ▼CARAMELLO▲ （der den Herzog noch hier glaubt, kommt von rückwärts） Hoheit! Annina! （Bemerkt plötzlich, dass niemand im Zimmer ist, kleinlaut） Sind schon drin da! （Geht zur Tür rechts, ruft） Hoheit! Hoheit! ▼HERZOG▲ （hinter der Szene） Was gibt es? ▼CARAMELLO▲ Sämtliche Senatoren bitten um Einlass! ▼HERZOG▲ （wie oben） Wirf sie hinaus! ▼CARAMELLO▲ （laut, als ob er zu anwesenden Herren sprechen würde） Sie haben gehört, meine Herren Hinaus! （Eilt nach rückwärts, ruft） Herein, meine Herren! （Da niemand kommt, zum Publikum） Also bitte, wenn man jemand braucht, ist niemand da! （nervös） Aber ich lasse sie nicht allein! （eilt wieder zur Tür rechts, ruft） Hoheit! Hoheit! ▼HERZOG▲ （hinter der Szene, ungeduldig） Was gibt es schon wieder? ▼CARAMELLO▲ Wenn mir nur etwas einfallen würde （rufend） Signor Delacqua ist hier! ▼HERZOG▲ （öffnet die Tür） Wirf ihn hinaus! ▼CARAMELLO▲ （der immer versucht, in das Zimmer zu blicken） Er lässt sich nicht abweisen! ▼HERZOG▲ （tritt aus dem Zimmer） Was heisst das, er lässt sich nicht abweisen? Ich will nicht gestört werden! ▼CARAMELLO▲ Zu Befehl, Hoheit! ▼HERZOG▲ （klopfl Caramello auf die Schulter） Diese Signora Barbara ist übrigens ein （jede Silbe betonend） reizendes Weibchen! ▼CARAMELLO▲ （sehr weinerlich） So? Reizend? Ist sie wirklich so reizend? ▼HERZOG▲ Aber sie ist spröde, sehr spröde! ▼CARAMELLO▲ （plötzlich ausser sich vor Freude） Sie ist spröde? （eilt froh nach rückwärts） Höre es, Volk von Venedig, sie ist spröde! ▼HERZOG▲ Aber ich werde auch dieses Herz besiegen! Auch sie wird mein werden! （Geht lachend, Caramello mehrmals zublinzelnd, in das Zimmer zurück） ▼CARAMELLO▲ （allein zum Publikum） Bitte, was hat er gesagt? Auch sie wird mein …? So eine Gemeinheit! （nach rechts sprechend） Na, freue dich auf das morgige Rasieren! ACHTER AUFTRITT （Caramello. Pappacocla, später Volk） ▼PAPPACODA▲ （als Senator gekleidet, mit einer falschen, unförmigen langen Maskennase, alle Taschen vollgestopft, eine lange Wurst unter dem Arm und eine bauchige, mit Stroh umwundene italienische Weinflasche um den Hals gehängt, kommt torkelnd von rückwärts） Caramello! ▼CARAMELLO▲ （erfreut） Ah, Pappacoda! Du musst mir helfen! Aber mir scheint, du hast einen Schwips? ▼PAPPACODA▲ Einen nur? Ich habe zwei Schwipse! Einen vom Wein und einen vom Schnaps! ▼CARAMELLO▲ Sauf aus! ▼PAPPACODA▲ Aussaufen soll ich? Gleich, gleich! （will trinken） Aber die Nase geniert mich! （schiebt sich die Nase auf die Stirn und trinkt） Hast du nicht Ciboletta gesehen? ▼CARAMELLO▲ Ach, lasse mich in Rub mit deiner Ciboletta! Ann ina ist hier im Palast! Der Herzog gibt sie nicht frei! Eile hinab an den Kanal und hole einige Genossen, damit wir Annina mit ihrer Hilfe entfuhren! ▼PAPPACODA▲ Dazu brauche ich nicht hinabzueilen! Ich habe deine Einladungskarten an meine Freunde verteilt…jeder frisst für drei, sauft für fünf und stiehlt für sieben! ▼CARAMELLO▲ Herein mit ihnen! Je mehr Lärm, desto besser! Der Herzog soll keine ruhige Minute haben! （Pappacoda pfeift, von allen Seiten kommen Männer und Frauen, durchwegs mit vollbeladenen Taschen, fast alle betrunken） Nr. 11 - Ensemble mit Lied ▼CHOR▲ Solch ein Wirtshaus Lob ich mir! Gut und billig Speist man hier! Wer bescheiden, Der verliert, Zugegriffen Ungeniert! Auch für morgen Lasst uns sorgen, Angepackt Und eingesackt! Marietta, come va? Se oggi là va bene Domani non si sa! ▼PAPPACODA▲ Schau, wie sich alles gut unterhält, （zu Caramello） Doch hab ich sie dir noch nicht vorgestellt! Dieser noble Cavaliere, Luigi ist s, der Gondoliere! Der hier Strassenmusikant, Dieser Käselieferant! Dort ein Schneider, un sartore, Und hier dieser pulitore Putzt die Stiefel rein und blank, Und der geht auf den Rattenfang! Das ist Peppo, ein Facchino, Hier vom Land ein Vetturino. Dieser duftet so pikant, Weil er steht am Zwiebelstand! Der dort säuft, ist Bürstenbinder, Er vertrank schon Weib und Kinder! Die Signora hier ist Wäscherin, Die Donna Öbstlerin! Kurz, die ganze riunione Ist wahrhaftig gar nicht ohne, Die und der, und der und die Alle sind sie nobili. ▼CHOR▲ Pensieri ne ho tre Quello dell amorosa, Ii vino et anche il café! Ohe, tralala, ohe! ▼CARAMELLO▲ Doch mit Vorsicht sorget klug, Dass die Taschen weit genug! ▼CHOR▲ Mit Vorsicht sorget klug, Dass die Taschen Weit genug! Ohe, tralala, ohe! Si mette tutto in sacco, Macacco, per bacco! ▼PAPPACODA▲ （leise） Man steckt ein, man steckt ein, Bis alle Tische blank und rein! （zu Caramello） Noch sah Ciboletta ich nicht Soviel ich im Saale auch such! Ha, wenn sie die Treue mir bricht, So trifft die Verrät rin mein Fluch! ▼CARAMELLO▲ （ironisch begütigend） Man steckt ein, man steckt ein, Wer Weibern traut, wird stets bereun! Si mette tutto in sacco, Per bacco, per bacco! Per bacco! Man steckt alles ein! Annina ist hier im Palast, Der Herzog gibt sie nicht frei, Das bringt zur Verzweiflung mich fast! Was soll ich nun machen dabei? ▼PAPPACODA▲ （ironisch Caramello kopierend） Man steckt ein, man steckt ein, Der Herzog könnt sonst böse sein! Si mette tutto in sacco, Macacco, macacco, Per bacco, man steckt alles ein! ▼CHOR▲ Si mette tutto in sacco, Macacco, macacco, Per bacco, man steckt alles ein! ▼CARAMELLO▲ Wird wo ein Verbrechen vollführt, Ist schnell auf der Spur Polizei. In Masse wird dann arretiert, Vielleicht ist der Schuld ge dabei! ▼PAPPACODA▲ Ah. （Caramello stopfl ihm den Mund mit der Salami und übernimmt den Ton） ▼BEIDE▲ Man steckt ein, man steckt ein, Der Rechte kann ja drunter sein! Si mette tutto in sacco, Macacco, macacco, Per bacco, man steckt alles ein! ▼CHOR▲ Si mette tutto in sacco, Macacco, macacco! Per bacco, man steckt alles ein! （Alle laufen lärmend ab, Caramello folgt ihnen） NEUNTER AUFTRITT （Annina. Herzog. Dann Caramello. Später Pappacoda. Zuletzt Delacqua, Barbaruccio und Testaccio） ▼HERZOG▲ （kommt von rechts） Dieser Spektakel! Den hat mir sicher Caramello angerichtet! （zurücksprechend） Die Luft ist rein, kommen Sie, Signora! ▼ANNINA▲ （kommt lächelnd） Mit einem Wort, Sie geben Ihre Bemühungen auf? ▼HERZOG▲ Noch lange nicht, schöne Signora Barbara! Ihre Kälte macht Sie mir nur noch begehrlicher! （er eilt auf sie zu, will sie umfangen） Ich liebe Sie, Signora … ich liebe Sie! （will sie küssen） ▼CARAMELLO▲ （der plötzlich eintritt） Ho … Ho… Ho……Hoheit! ▼HERZOG▲ （lässt Annina frei） Was willst du denn wieder? ▼CARAMELLO▲ Einer der Herren Senatoren wünscht seine Aufwartung zu machen! ▼HERZOG▲ Wirf ihn hinaus! ▼CARAMELLO▲ Oh… Das geht nicht （auf die Lange Nase Pappacodas zeigend, die langsam, nach und nach, hinter der Portiere sichtbar wird） Seine Nase ist schon da …gleich wird der ganze Senator da sein! （Pappacoda kommt als "Senator"） Da ist er schon! ▼PAPPACODA▲ （sich verbeugend） Oh … Euer Hoheit! （zu Caramello） Was soll ich denn reden? ▼CARAMELLO▲ （leise） Was du willst! Du bist ja ein Senator! （im selben Moment treten Delacqua, Barbaruccio und Testaccio auf） ▼DELACQUA▲ Oh, der Herzog, Hoheit! ▼BARBARUCCIO▲ Hoheit! ▼TESTACCIO▲ Hoheit! ▼HERZOG▲ （deckt Annina, leise zu ihr） Fassung, Barbara, die Ehemänner sind blind! （laut） Ich begrüsse alle vier Senatoren! ▼DELACQUA, BARBARUCCIO, TESTACCIO▲ Vier? - Wo? - Ah! - Da! ▼DELACQUA▲ （zu Pappacoda, der sich ängstlich drücken will） Wie mir scheint, Kollege Grimaldi! ▼PAPPACODA▲ （mit verstellter Stimme） Nein, ich bin der andere! ▼BARBARUCCIO▲ Nein. Ich kenne keinen Senator mit einer solchen Gurkennase! ▼TESTACCIO▲ Die Nase scheint falsch zu sein! ▼DELACQUA▲ Vielleicht der ganze Senator! （zu Pappacoda） Wer das geheiligte Kleid der Senatoren als Maskenkostüm trägt, den straft das Gesetz mit einem Jahr Galeere! ▼PAPPACODA▲ O maccheronata! Jetzt, Frechheit, hilf! ▼HERZOG▲ （ungeduldig） Nun, meine Herren? ▼BARBARUCCIO▲ Hoheit, wir kommen, für das glänzende Fest zu danken! Ein echt italienisches Fest! ▼DELACQUA, TESTACCIO▲ Echt italienisch! ▼HERZOG▲ Zu gütig! Es galt ja, Venedigs Senat zu ehren! Leider wurde der Beschluss gefasst, die Damen vom Fest auszuschliessen! ▼DELACQUA▲ Nun, ich habe mich um diesen Beschluss nicht gekümmert, denn meine Frau ist von Treviso zurückgekehrt und befindet sich hier! （Der Herzog und Annina sehen sich betroffen an） Sie brennt vor Verlangen, Euer Hoheit vorgestellt zu werden! （eilt ab） ▼PAPPACODA▲ （sich vordrängend） Auch meine Frau brennt darauf, Euer Hoheit ins Angesicht zu treten! （verneigt sich） ▼CARAMELLO▲ （leise zu Pappacoda） Komm, komm - Du musst mir helfen! ▼PAPPACODA▲ Euer Hoheit - con piacere - cavaliere - habe die Ehre… （ab mit Caramello. Auch Barbaruccio und Testaccio entfernen sich） ZEHNTER AUFTRITT （Der Herzog. Annina. Dann Delacqua mit Ciboletta） ▼HERZOG▲ （zu Annina） Was soll ich davon denken? Hat denn Delacqua zwei Frauen? ▼ANNINA▲ Zwei Frauen? Er hat gerade genug an einer! Ich bin die echte, so wahr Caramello Barbara Delacqua entführte! ▼HERZOG▲ Ja, wen will er uns denn da bringen? ▼DELACQUA▲ （kommt mit Ciboletta, die einen schwarzen Domino trägt und eine Larve vor dem Gesicht hat）. So, Euer Hoheit, hier ist meine Gemahlin! ▼HERZOG▲ （sich verbeugend） Signora! ▼DELACQUA▲ （zu Ciboletta） Wir sind Unter uns, du kannst die Larve abnehmen! Ich erlaube es dir! ▼HERZOG▲ Und ich bitte darum! （Ciboletta demaskiert sich und lässt die Kapuze ihres Dominos fallen） ▼ANNINA▲ （für sich） Ciboletta! （leise zum Herzog） Das ist meine Zofe! ▼HERZOG▲ （leise） Die Zofe? Oh, unverschämt! ▼DELACQUA▲ （leise zu Ciboletta） Vergiss nicht, was ich dir eingeschärft habe! Du bist für heute abend meine Frau und bittest um den Verwalterposten für mich! （laut） Begrüsse Seine Hoheit, Barbara! （Ciboletta macht eine tiefe Verbeugung und küsst dem Herzog die Hand） ▼HERZOG▲ （heiter, ironisch） Ich bin entzückt, Venedigs schönste Frau endlich persönlich kennenzulernen! ▼CIBOLETTA▲ Na na schönste Frau? Euer Gnaden, Herr Herzog, nehmen das Maul gar zu voll! （gibt dem Herzog einen Rippenstoss） ▼DELACQUA▲ （leise） Wirst du schweigen! （zum Herzog） Hoheit müssen meiner Gattin verzeihen ▼HERZOG▲ O bitte… Ich finde Signora reizend! Dies ungeschminkte Wesen, diese Haltung - alle diese Reize hatte ich sozusagen vorgeahnt, als ich meiner Bewunderung im vergangenen Karneval in jener Serenade Ausdruck gab, die Signora Barbara so sehr gefiel! （leise zu Annina） Denken Sie noch jenes Abends, schöne Frau? ▼ANNINA▲ （verlegen） Freilich, freilich … wie sollte ich nicht? ▼DELACQUA▲ Was für eine Serenade? Nr. 12 - Serenade ▼HERZOG▲ Ninana, Ninana, dir will ich singen, Ninana, Ninana, hör mich an! Ninananana, Ninananana, horch auf das Klingen, Ninananana, Ninananana, antworte dann! Heb auf dein Köpfchen, Liebste, träume nicht, O hör mich an, schlummre noch nicht ein! Ich sage dir vier Worte von Gewicht, Du musst voll Andacht dein Ohr dazu mir leihn! Das erste Dass um dich mein Herze bricht, Das zweite Ich will dein fürs Leben sein! Das dritte Dass ich dir mein Heil befehle, Das letzte Dich allein liebt meine Seele! ▼ANNINA, CIBOLETTA▲ Ninana, Ninana - ach! ach! ▼HERZOG, DELACQUA▲ Ninana, Ninana, schönste der Frauen, Ninana, Ninana, du bist mein Glück! ▼ALLE VIER▲ Ninananana, Ninananana, lass dich erschauen, Ninananana, Ninananana, ach, einen Blick! ▼HERZOG▲ Du gingst am Montag wie ein Stern mir auf Und schienest reizend am Dienstag mir, Allein viel schöner noch am Mittwoch drauf! Zu Füssen lag ich am Donnerstag dir Am Freitag hob dein Blick mich wieder auf; Hab am Samstag dann gelauscht an deiner Tür; Und durft ich dich im Glanz am Sonntag sehen, Da war um den Verstand es bald geschehen! ▼ANNINA, CIBOLETTA▲ Ninana, Ninana - ach! ach! ▼HERZOG, DELACQUA▲ Ninana, Ninana, schönste der Frauen, Ninana, Ninana, du bist mein Glück! ▼ALLE VIER▲ Ninananana, Ninananana, lass dich erschauen, Ninananana, Ninananana, ach, einen Blick! （Nach der Serenade geht der Herzog mit Annina etwas in den Hintergrund） ▼DELACQUA▲ （leise zu Ciboletta） Alles geht gut, du gefällst dem Herzog! Jetzt sprich! （stösst Sie） ▼CIBOLETTA▲ （stotternd） Herr Herzog! Herr Herzog! ▼HERZOG▲ Sie wünschen? ▼DELACQUA▲ （auf Ciboletta weisend） Meine …Madonna Barbara hat ein Anliegen! ▼HERZOG▲ Ist im vorhinein gewährt! ▼DELACQUA▲ （zärtlich） Also sprich, mein Täubchen von San Marco, sprich! （Gibt ihr einen Rippenstoss. leise） So rede doch, du dummes Ding! ▼CIBOLETTA▲ Mein Gott, ich möcht Euer Gnaden schön gebeten haben um einen Posten in Euer Gnaden Haus! ▼HERZOG▲ Also, um welchen Posten handelt es sich denn? ▼DELACQUA▲ （souffliert Ciboletta） Verwalter … Verwalter ▼CIBOLETTA▲ Nun, der Mann möchte gern herzoglicher Leibkoch werden. ▼HERZOG▲ （lachend） Leibkoch? ▼ANNINA▲ （ebenso） Leibkoch? ▼DELACQUA▲ （wütend, für sich） Ich Leibkoch? （leise zu Ciboletta） Verwalter! Verwalter! （stösst sie verstohlen） ▼CIBOLETTA▲ （ohne sich urn Delacqua zu kümmern） Es ist ein braver Bursche, namens Pappacoda, der Makkaroni kocht und Stockfisch mit Zwiebeln wie kein zweiter! ▼HERZOG▲ （lachend） Makkaroni? ▼ANNINA▲ （lachend） Stockfisch? ▼CIBOLETTA▲ （zu Delacqua） Nicht wahr, Signor, Stockfisch? ▼DELACQUA▲ （wütend） Ja, ja! ▼HERZOG▲ Nun, wenn sich Signora Delacqua für Pappacoda verwendet, soll er Leibkoch werden! ▼CIBOLETTA▲ Ach, Herzog, dafür muss ich Ihnen einen Kuss geben! （fällt ihm um den Hals und küsst ihn） ▼DELACQUA▲ （reisst sie vom Herzog weg） Du vergisst dich, meine Liebe! Du gehst zu weit! （zum Herzog） Euer Hoheit wollen meiner Gemahlin verzeihen （zu Ciboletta） Jetzt komm und freu dich! （will sir mit sich ziehen） ▼CIBOLETTA▲ （hält sich an einem Sessel fest） Nein, nein, ich will hier bleiben, es gefällt mir hier sehr gut! ▼HERZOG▲ Ah, Signor Delacqua, wenn es Ihrer Gattin hier gefällt, so gönnen Sie ihr doch das Vergnügen! ▼DELACQUA▲ （übertrieben freundlich） Ach ja, gönnen wir ihr das Vergnügen! （streichelt ihr zärtlich die Wangen und gibt ihr dabei verstohlen einen Backenstreich） Ich muss jetzt leider fort! （verbeugt sich） Hoheit! （Ab） ▼HERZOG▲ （zu Annina） Das Muster eines galanten Ehemannes! Ich will aber doch sehen, ob er wirklich geht! （eilt ihm nach） ELFTER AUFTRITT （Annina. Ciboletta. Dann der Herzog. Zuletzt Caramello） ▼ANNINA▲ （nimmt die Larve ab） Ach, Ciboletta, bald hättest du mit deinem Pappacoda alles verdorben! ▼CIBOLETTA▲ （erstaunt aufschreiend） Annina! Du hier? ▼ANNINA▲ Ja, man hält mich hier für Delacquas Frau! ▼CIBOLETTA▲ （stolziert nach vorn） Dich? Das bin ja ich ▼ANNINA▲ Ich auch! Ich bitte dich, bleibe dabei, dass ich Barbara Delacqua bin! ▼CIBOLETTA▲ Und ich? ▼ANNINA▲ Do bist, was du bist - meine Zofe! ▼CIBOLETTA▲ Deine Zofe? ▼ANNINA▲ （nervös） Barbara Delacquas Zofe! Still, da ist der Herzog! ▼HERZOG▲ （kommt zurück） So, Dciacqua stört uns nicht mehr! （zu Ciboletta） Ah, ich sehe, wir haben an dir eine Vertraute gewonnen! Ja, Mädchen, ich liebe deine Herrin! ▼CIBOLETTA▲ Signora Barbara Delacqua? ▼HERZOG▲ Freilich! Hat sie es dir denn nicht gesagt? Ich liebe sie! （küsst Annina） ▼CIBOLETTA▲ （für sich） Mein Gott, Annina liebt er auch! Was der alles zusammenliebt! ▼HERZOG▲ （wendet sich zur Tür, rufi） Caramello! ▼CARAMELLO▲ （kommt, verbeugt sich） Hoheit!? ▼HERZOG▲ Schliesse den Vorhang! ▼CARAMELLO▲ Den Vorhang? ▼HERZOG▲ Und hierher - das Souper! ▼CARAMELLO▲ Das Souper? o je! ▼HERZOG▲ Geh! ▼CARAMELLO▲ O weh! （schliesst die Vorhänge. Man sieht jetzt nur die Vorderbühne als intimen Raum für die nächste Szene） ▼HERZOG▲ Das Souper! ▼CARAMELLO▲ Adje! （heimlich zu Ciboletta） Iss dich an, du bist nicht alle Tage bei einem Herzog! （Ab） ▼ANNINA▲ Wie? Ich soll mit meiner Zofe soupieren? ▼HERZOG▲ （reicht beiden die Arme） Ja. Soupieren zu dreien - die Herrin - die Dienerin - der Sklave! Also zu Tische! ▼ANNINA▲ Zu Tische! （Die Wandlichter werden gelöscht, Pagen bringen von links einen gedeckten Tisch mit zwei grossen Leuchtern） Nr. 13 - Finale ▼HERZOG▲ Lasset die andern tanzen da, Tralalala, tralaiala! Ich bleibe lieber bei Barbara! Tralalala, tralalala! Die Herrin zur Rechten, die Zofe zur Linken, Recht vertraulich und nah! Ich seh ein Souper heute abend mir winken, Wie keins ich noch sah! （Er hat beide Damen zu Tisch geführt. Zu Caramello, der mit Wein eintritt） Caramello, schon wieder da? Was drängst du dich hier ein? ▼CARAMELLO▲ Hoheit wollen mir verzeihn! Da die Diener doch genieren, Wollte ich Euch selbst servieren! ▼ANNINA▲ （leise zu Ciboletta） Bleibe da, bleibe mir nah! ▼CIBOLETTA▲ （leise zu Annina） Recht gern, gewiss, ja ja! ▼HERZOG▲ （auf Pappacoda deutend, der jetzt als Koch gekleidet eintritt und einige Schüsseln balanciert, zu Caramello） Wen bringst du da noch? ▼CARAMELLO▲ Das ist nur ein Koch! ▼HERZOG▲ So so, ein Koch? ▼CARAMELLO▲ Jaja, ein Koch! ▼PAPPACODA▲ Ach ja, ich bin ein Koch! ▼CIBOLETTA▲ （leise zu Annina） Das ist Pappacoda! ▼ANNINA▲ （leise） So schweige doch! ▼PAPPACODA▲ （der vor Schreck eine Schüssel fallen lässt, leise） Das ist Ciboletta! （laut） Ja ja, ich bin ein Koch! ▼ALLE ANDEREN▲ Ja ja, das ist ein Koch! ▼CARAMELLO▲ （beiseite） Ach! Zeuge und Beistand mir zu sein, Bracht ich den Leidensgenossen herein! ▼PAPPACODA▲ （für sich） Na wart, Ciboletta, du kannst dich freun! ▼HERZOG▲ （zu den Damen） Kommt, kommt, Ihr holden Frauen, Lasst jetzt uns soupieren! Wir wollen scherzen und lachen, Werden superb uns amüsieren! （zu Annina） Bald küss ich dich, （zu Ciboletta） Bald wieder dich! （zu Annina） So lieb ich dich! (Zu Ciboletta.) So lieb ich dich! ▼ANNINA, CIBOLETTA▲ Warum sollt ich nicht mit dem Herzog soupiern? Zu drei n kann ein Tête-à-tête keinen geniern! Ob Caramello/Pappacoda vor Wut ausser sich - Was kümmert s mich? ▼CARAMELLO▲ （grollend für sich）. Meineidige Annina! ▼PAPPACODA▲ （ebenso）. Treulose Ciboletta! ▼CARAMELLO, PAPPACODA▲ Du willst mit ihm soupieren, Lässt dich allzuleicht Vom Glanze verführen?! Kannst du so ganz vergessen mich? Pfui, schäme dich! ▼HERZOG▲ （sich zärtlich zu Annina neigend）. Wie klopft in Ihrer Nähe das Herz mir froh ▼CARAMELLO▲ （fährt mit einer Weinflasche zwischen die beiden）. Befehlen Hoheit Rheinwein oder Bordeaux? （schenkt ein） ▼HERZOG▲ （zu Ciboletta geneigt）. Sie sprechen ja zu mir kein Wörtchen mehr! ▼PAPPACODA▲ （fährt mit der Schüssel zwischen die beiden） Hier ist Boeuf à la mode! Bitte sehr! ▼HERZOG▲ （zornig） Packt euch hinaus! Ihr langweilt mich! ▼ANNINA, CIBOLETTA▲ （beiseite, zugleich） Er ärgert sich! ▼CARAMELLO▲ （leise zu Pappacoda） Jetzt hol ich die andern! Den Wein nehm ich mit! （Ab） ▼HERZOG▲ （zu Annina） Du bist das schönste Weib der Welt, Bist aller Frauen höchste Zier! Glücklich der Mann, der dir gefällt, Rücke doch näher her zu mir! ZWÖLFTER AUFTRITT （Vorige. Die Gäste des Herzogs. Ein Herold. Caramello zieht jetzt rasch die Vorhänge zurück. Man sieht in den von Masken, Senatoren usw. belebten Saal. In der Mitte auf einem tragbaren Gerüst ein hübsches Mädchen in einem symbolischen Karnevalskostüm, eine bunte Fahne in der Hand, umlagert von Tänzerinnen. Phantastische Beleuchtung.） ▼HEROLD▲ （gesprochen）. Um zwölf Uhr zieht nach altem Satz Die Maskenschar zum Markuspiatz! Dort kommt man schon Zu holen Euch Mit Sang und Klang! ▼HERZOG▲ Verhasster Zwang! （gibt ein Zeichen; der Maskenzug bewegt sich nach vorn） ▼CHOR▲ Jetzt ist s Zeit zur Lustbarkeit, Drum, Freunde, seid bereit! Lebenslust, Schwellt die Brust, Gibt tins das Geleit! Mondlicht strahlt in voller Pracht, Der Sternenhimmel lacht! Welch ein Bild, Wonnig mild, Gibt Venedigs Nacht! Karneval Ruft uns zum Ball Er ist Souverän! Zögert nicht, Denn was er spricht, Muss sofort geschehn! Frisch hinaus zum Markusplatz, Musik zielst uns voran, Arm in Arm mit seinem Schatz, Folgt fröhlich jedermann! Hinaus! ▼HEROLD▲ （zum Herzog） Bereit seht Ihr schon der Masken Schwarm, Die Stunde schlug, es ist schon spät! ▼HERZOG▲ （zu Annina und Ciboletta） Wohlan, meine Damen, Ihren Arm, Fügen wir uns der Majorität, （seufzend） weil es anders nicht geht! ▼ANNINA, CIBOLETTA▲ （lachend） Weil es anders nicht geht! （Man hört von fern Glockengeläute） ▼ALLE▲ Horch! Von San Marco der Glocken Geläut Kündet die Mitternacht, Kündet die Mitternacht, Mahnend ertönet ihr Ruf es ist Zeit, Dass laute Lust hier erwacht! Wer sich will der Freude weihn, Der komme nicht allein, Wen sein Liebchen liess im Stich, Der such ein andres sich! Frisch hinaus zum Markusplatz, Musik zieht uns voran, Arm in Arm mit seinem Schatz Folgt fröhlich jedermann! Hinaus! Hinaus! ▼ANNINA▲ （nimmt aus der Hand der Karnevalsfigur die Fahne, schwingt sie fröhlich） Jetzt gebietet der Humor, Sein Banner flattert hoch empor, Seinem Zepter folgt die Schar, Die treu ihm stets ergeben war! ▼ALLE▲ Jetzt gebietet der Humor, Sein Banner flattert hoch empor, Seinem Zepter folgt die Schar, Die treu ihm stets ergeben war! ▼ANNINA, CIBOLETTA▲ Seinem Rufe untertan, Kommt heran, reiht euch an! Heitre Lust ladet ein Jeder soll willkommen sein! ▼ALLE▲ Seinem Rufe untertan, Kommt heran, reiht euch an! Heitre Lust ladet ein Jeder soll willkommen sein! ▼CARAMELLO▲ （hat Annina die Fahne aus der Hand genommen, kommt, das Banner fröhlich schwingend, nach vorn） Jetzt gebietet der Humor, Sein Banner flattert hoch empor, Seinem Zepter folgt die Schar, Die treu ihm stets ergeben war! ▼ALLE▲ Jetzt gebietet der Humor, Sein Banner flattert hoch empor, Seinem Zepter folgt die Schar, Die treu ihm stets ergeben war! ▼CARAMELLO▲ Seinem Rufe untertan, Kommt heran, reiht euch an! Heitre Lust ladet ein Jeder soll willkommen sein! ▼ALLE▲ Seinem Rufe untertan, Kommt heran, reiht euch an! Heitre Lust ladet ein Jeder soll willkommen sein! ▼HERZOG▲ （übernimmt die Fahne von Caramello） Jetzt gebietet der Humor, Sein Banner flattert hoch empor, Seinem Zepter folgt die Schar, Die treu ihm stets ergeben war! Die immerdar ihm treu ergeben war! （Bacchantischer Tanz, Männer tragen die Karnevalsfigur nach vorn bis in die Mitte der Bühne） ▼ALLE▲ Alle maskiert, alle maskiert, Wo Spass, wo Tollheit und Lust regiert! Ganz ungeniert alle maskiert, Cospetto, wie amüsant das wird! （Vorhang.） ZWISCHENAKTS-MUSIK ZWEITER AKT Im Palast des Herzogs. Prachtvoller Saal. Rückwärts mächtige Glastüren. Der vordere Teil des ganzen Raumes, der durch eine grosse Portiere von der weiten Hinterbühne abgetrennt werden kann, bildet unterstützt durch entsprechende Möblierung ein eigenes, intim wirkendes Gemach. ERSTER AUFTRITT Der Herzog. Centurio. Balbi HERZOG festlich gekleidet, geht ungeduldig auf und ab. Zu Centurio, der nach rückwärts späht Wo bleibt nur Caramello? CENTURIO Vielleicht hat Signora Barbara Widerstand geleistet! HERZOG Kaum glaublich! Sind meine Leute instruiert? CENTURIO Nach Eurer Hoheit Befehl! HERZOG Sobald also diese Vorhänge geschlossen sind, wird niemand mehr vorgelassen! Und sie werden geschlossen, sobald Caramello mit einer Dame kommt. Nervös Leider kommt er noch immer nicht! BALBI von rechts Eure Hoheit! HERZOG Was gibt s? Ist Caramello da? BALBI Nein, Euer Hoheit . Gäste! HERZOG Führe sie in den Festsaal - hier will ich allein bleiben! BALBI Es sind Damen! HERZOG aufhorchend Damen? Hübsch? Jung? BALBI Es sind lauter Frauen von Senatoren! HERZOG sehr überrascht Senatorsfrauen, die trotz des Verbots ihrer Männer mein Haus betreten? Da bin ich doch neugierig herein mit ihnen! ZWEITER AUFTRITT Vorige. Agricola, Constantia, Notbierga, Macedonia, Teodolinda und andere Senatorsfrauen, Balbi lässt die Damen, die Maskenkostüme tragen, aber unverlarvt sind, eintreten. An der Spitze kommt Agricola, eine dicke alte Dame, die jedoch noch sehr lebenslustig ist Nr. 8 - Damenchor und Couplet DIE SENATORSFRAUEN Nur ungeniert hereinspaziert, Der Herzog lud uns ein! Drum soll Senat und hoher Rat Nicht hinderlich uns sein. Zu sagen Nein"" wär gar nicht fein," Man muss doch höflich sein! Wir sagten "Ja" und sind nun da Trotz unsrer Minncr Schrein. Die machen sich nur lächerlich Mit ihrer Politik - Von einem Ball im Karneval, Da hält uns nichts zurück! AGRICOLA nach einer tiefen Verbeugung vor dem Herzog Venedigs Frauen herzuführen Hab übernommen ich als Pflicht, Was kann uns Schlimmes hier passieren, So ängstlich sind wir nicht! Nein! ALLE, HERZOG So ängstlich sind wir (sie) nicht! AGRICOLA Dass Sie, Herr Herzog, allen Frauen Gefährlich sind, sagt das Gerücht, Doch unsrer Tugend wir vertrauen, So ängstlich sind wir nicht! ALLE, HERZOG So ängstlich sind wir (sie) nicht! HERZOG ironisch Verstehe ich die Damen recht, führt Sie die Opposition gegen Ihre Männer hierher? AGRICOLA Nicht diese allein, Hoheit! Wir wollen den tollen Herzog persönlich kennenlernen, einen Mann, von dessen Galanterie an allen 149 Kanälen Venedigs gesprochen wird. Einen Mann, der auf jeder der 370 Brücken Venedigs schon ein verliebtes Abenteuer hatte, einen Mann, der auf jeder der 117 Inseln Venedigs ein Opfer zurückliess! HERZOG lachend Ja, man vermag sehr viel in der Liebe, wenn man ihr ausschliesslich lebt! AGRICOLA Ihre Hand, mein Fürst! Sie sind zwar ein liebenswürdiger Taugenichts durch und durch aber … schnalzt mit den Fingern und schüttelt ihm energisch die Hand … ich achte Sie! HERZOG wie oben Wenn Sie mich besser kennen würden AGRICOLA Das verlange ich nicht, aber … wie oben ich achte Sie! Kokett Ist es wahr, Herzog, dass Sie nach Venedig mit Heiratsplänen gekommen sind? HERZOG Nein, Signora, ich mache die Reise durchs Leben nicht gerne mit Gepäck! AGRICOLA Oh, dieser Vergleich des ewig Weiblichen mit einem Reisekoffer ist zwar kühn, aber … wie oben … ich achte Sie! CENTURIO ist rückwärts eingetreten, leise zum Herzog Hoheit, eine Gondel, ich glaube Caramello zu erkennen! HERZOG selig Endlich! Laut. Meine Damen, gestatten Sie, dass ich Sie in den Bankettsaal führe! Bietet zwei jungen hübschen Senators frauen den Arm AGRICOLA verletzt Oho, Herr Herzog, ich glaube, Ihr Arm gebührt den älteren Senatorinnen! HERZOG macht sich von den beiden jungen Damen los Signora, die älteren Senatorinnen… schüttelt ihr die Hand …achte ich, aber nach den jüngeren schmachte ich! AGRICOLA Die älteren Senatorinnen würden vor dem tollen Herzog auch nicht zurückschrecken, denn ALLE SENATORSFRAUEN singend So ängstlich sind wir nicht! (usw.) Der Herzog geleitet die Damen bis an die Tür, bleibt dann allein zurück DRITTER AUFTRITT Herzog. Centurio CENTURIO kommt Caramello ist schon im Palais! HERZOG Allein? CENTURIO Mit einer maskierten Dame! HERZOG Wirklich? Also, du weisst alles Vorhänge schliessen, niemand vorlassen! Wo ist ein Spiegel? Wie sehe ich aus? CENTURIO Verführerisch wie immer! HERZOG Weisst du, was diese Stunde mir bringt? Ein neues Glück! Ein neues Abenteuer! Du weisst doch, treu sein das liegt mir nicht! Entlässt Centurio durch eine Handbewegung Nr. 9 - Lied HERZOG Treu sein, das liegt mir nicht, Weil ich leicht den Kopf verlier, Wenn ich nur ein Mädel spür, Kann ja nichts dafür! Ja, treu sein das liegt mir nicht, Weil mein Blut nach Liebe drängt, Und mein Herz an Schönheit hängt, Gleich Feuer fängt! Das ist meine Manier Und jetzt geh ich zu ihr! Und morgen, ach ja, morgen dann, Fang ich was Neues an. Was liegt daran? Hab stets an eine nur gedacht, An die von heute Nacht! Ich liebe sie Bis früh! Ja, treu sein - das liegt mir nicht, Weil mein Blut nach Liebe drängt, Wenn ich nur ein Mädel spür, Kann ja nichts dafür! Ja, treu sein das kann ich nicht, Weil mein Blut nach Liebe drängt Und mein Herz an eine nur denkt. An sie, nur an sie! Bis früh! Eilt ab VIERTER AUFTRITT Annina. Caramello CARAMELLO trägt die halb ohnmächtige Annina, die noch eine Larve trägt, atemlos in den Saal Puh!… Gott sei Dank, dass ich hier bin! Wo soll ich sic denn hinlegen? Blickt suchend nach einem Sofa Diese Signora Barbara ist für eine leichtlebige Venezianern ziemlich schwer! Geht mit ihr auf und ab Die schaut nur so leicht aus! Die hat das Gewicht inwendig! Renkt sich die Arme aus. Zum Publikum Also bitte, wenn man bedenkt, so ein Haus, so ein Saal und keine Liegegelegenheit! Setzt sich in einen Fauteui ANNINA seufzt Ah! CARAMELLO Sagten Sic etwas? ANNINA Wie oben Ah! CARAMELLO kopiert sie Ah! Zum Publikum Sie hat A gesagt, da wird sie auch bald B sagen! Der Herzog wird sie schon gesprächig machen! zu Annina Sie müssen sich in die Lage finden, Signora Barbara! ANNINA schwach Ich bin schon in der Lage, Signor Caramello! CARAMELLO erstaunt, für sich Cararnello? Sic kennt mich? laut Woher kennen Sie mich denn? Ich bin doch der Gondoliere Franccsco. zu Annina Sie kennen mich? ANNINA Ich kenne Sie und die Erkorene Ihres Herzens! CARAMELLO Die Erkorene meines Herzens? setzt sich interessiert zu ihr Da müssen Sie mir schon sagen, welche Erkorene Sie meinen! ANNINA Haben Sie denn mehrere? CARAMELLO Ich habe mehrere! Denn singt parodistisch, den Herzog kopierend Treu sein das liegt mir nicht! Also, welche Erkorene meinen Sie? ANNINA Nun, Annina, meine Milchschwester! CARAMELLO geringschätzig Ach so, Annina … die Milch - Annina! Gott, ein einfaches Fischermädchen, eine kleine Tändelei! Was ist das gegen Sie, schöne Barbara! ANNINA Barbara! Springt auf und tritt ihm dabei absichtlich auf den Fuss CARAMELLO Au! Den Tritt kenne ich! ANNINA nimmt die Maske ab Esel! Ich bin es, Annina! CARAMELLO erschrocken Annina? Gehorsamster Diener! Barbara - Annina - Annina - Barbara! ANNINA Ja, ich bin das "einfache Fischermädchen"! CARAMELLO Unglückliche, was willst du denn hier? ANNINA Ja, mein Lieber, das muss ich dich fragen, der mich für den Herzog entführte! CARAMELLO Dich? Ich wollte ja Delacquas Frau entführen! ängstlich Wenn der Herzog den Missgriff entdeckt, macht er mich um zwei Köpfe kürzer! ANNINA pathetisch Sei ganz ruhig, ich werde meine Rolle als Senatorsfrau ganz gut spielen! legt den Domino ab, trägt unter demselben ein prachtvolles Staatskleid, stolziert auf und ab, stolpert dabei über die Schleppe CARAMELLO Du willst eine Senatorsfrau sein? Wenn der Herzog dich sieht, ist er imstande… ANNINA kokett … sich in mich zu verlieben! CARAMELLO Jawohl! und das dulde ich nicht! schreiend Das dulde ich nicht! Da ihm Annina droht, geduckt, ganz kleinlaut Das dulde ich nicht! Will ihr den Domino über die Schultern legen Komm ins Gonderl! Nr. 10a - Duett CARAMELLO Hör mich, Annina, Komm in die Gondel, Hör doch, komm doch! ANNINA Nein, ich bleibe, Will mich amüsieren, Will im Tanze Den Herzog verführen! CARAMELLO Gut! Doch bleibst du, So bleib ich bei dir Und tanzst du, Bin ich dein Tanzkavalier! ANNINA Haha! Ein feiner Kavalier! CARAMELLO parodistisch übertrieben Erlauben Sie mir, Um ihre Taille den Arm zu legen! ANNINA ebenso, affektiert Oh, bitte sehr, Tröten Sie nöher, Ich lieb den Tanz! reicht ihm die Hand zum Kuss CARAMELLO Wie sie sich spreizt, Die dumme Gans! schlägt ihr auf die dargebotene Hand ANNINA Ach, wie so schön, Sich ein wenig zu drehn… Herrlich, prächtig! CARAMELLO Sie schwärmt für den Tanz, Das muss man nützen! Bitte, sich nicht so sehr zu erhitzen! Jetzt rasch einen Kuss, Mit dem Tanzen mach Schluss! ANNINA Noch ein bisschen! CARAMELLO Erst ein Küsschen! ANNINA Nein, nein, nein! CARAMELLO Ja, beim Tanz Hüpft das Herz! Wie das rührt Und verführt! Lust und Scherz Jetzt regiert, Wang an Wang , Jeden Zwang Löst der Klang! So, jetzt haben wir getanzt und jetzt gehen wir! ANNINA Nein, ich bleibe, und wenn du dich auf den Kopf stellst! CARAMELLO Warum soll ich mich auf den Kopf stellen? Ich kann ja gar nicht auf dem Kopf stehen! FÜNFTER AUFTRITT Vorige. Herzog Der Herzog kommt von links. Annina nimmt rasch ihre Larve vors Gesicht ANNINA Er ist schon da! CARAMELLO sich verbeugend, aufgeregt Durchlaucht! zu Annina Na Wart! HERZOG Caraniello, ich bin mit dir zufrieden! CARAMELLO Ich auch mit Ihnen, Durchlaucht! HERZOG Hat sie Widerstand geleistet? Geschrie n? CARAMELLO Furchtbar! Wenn ich Eurer Hoheit raten darf, lassen Sie sie laufen, schicken wir sie nach Hause, es ist nichts dran an ihr! ich bringe eine andere! HERZOG Dumrnkopf, wo denkst du hin? Lass uns allein, fort, hinaus! CARAMELLO zu Annina, befehlend Lass uns allein, fort, hinaus! Der Herzog klopft ihm auf die Achsel Herein! HERZOG Dich meine ich, hinaus! CARAMELLO wie oben, zu Annina Dich meine ich, hinaus! HERZOG Du sollst hinaus, Caramello! CARAMELLO Ah, ich soll hinaus? Na ja, das ist was anderes! Aber, Hoheit, eines kann ich ihnen sagen trauen Sie ihr nicht, sie ist gemeingefährlich, sie beisst! HERZOG Desto besser, ich liebe den Widerstand! CARAMELLO kleinlaut Da kann man nichts machen! HERZOG ungeduldig So geh doch endlich! Nervös auf und ab CARAMELLO folgt ihm auf Schritt und Tritt Hoheit, trauen Sie ihr nicht! Es wäre schade um Ihr schönes Gesicht … …sie hat einen Dolch im Gewande! Stösst an den Herzog, der sich plötzlich umdreht HERZOG Wirst du dich endlich hinausscheren? CARAMELLO Scheren - das ist das Stichwort für einen Barbier! Scheren! Geht nach rückwärts, plötzlich los brechend Himmel, Herrgott! Wenn ich nur jetzt jemand hätte, an dem ich meine Wut auslassen könnte! Oh! Rauf! sich wütend die Haare und geht ab SECHSTER AUFTRITT Der Herzog. Annina Nr. 10b - Duett HERZOG So sind wir endlich denn allein Nun lösen Sie Ihr Wort auch ein! ANNINA Was für ein Wort? HERZOG Ihr Angesicht Hat stets die Larve mir verhüllt! ANNINA kokett die Maske lüftend. Wenn nur Ihr Hoffen sich erfüllt! HERZOG Was seh ich? Weit ist s übertroffen! O Engelsbild! Will sie umarmen ANNINA Nur nicht so nah! HERZOG Warum so grausam, Barbara?! Ach, Ihre Nachsicht ging für mich Sonst weiter doch! ANNINA für sich Was hör ich da? lLaut Wie weit ging sie denn eigentlich? HERZOG Sie sagten… ANNINA Nun, was sagte ich? 1HERZOG Sie sagten meinem Liebesflehn Gewährung zu beim Wiedersehn! Ich hoffe, Sie erinnern sich! ANNINA Nein, mir ist nichts erinnerlich! HERZOG Sie sprachen dann von Sympathie Und von… ANNINA Ich sagte »Schweigen Sie!» Sie werden wohl erinnern sich?! HERZOG Das ist mir nicht erinnerlich! ANNINA Von der guten Barbara Hört man saubre Dinge da, Das muss ich gestehn! Gar zu gerne wüsste ich, Wie die beiden eigentlich Miteinander stehn! HERZOG Endlich nun mir wieder nah, Heissgeliebte Barbara! Hör mein liebend Flehn! Heute noch möcht wissen ich, Wie wir beide eigentlich Miteinander stehn! 2HERZOG Als zärtlich Sie umfing mein Arm, Da seufzten Sie »Es ist sehr warm!« Ich hoffe, Sie erinnern sich! ANNINA Nein, mir ist nichts erinnerlich! HERZOG Dann hab ein Küsschen ich begehrt Und Sie… ANNINA Ich sagte "Unerhört!" Sie werden wohl erinnern sich! HERZOG Nein, mir ist nichts erinnerlich! ANNINA Von der guten Barbara… usw. bis Schluss, dann beide rechts ab SIEBENTER AUFTRITT Caramello. Herzog CARAMELLO der den Herzog noch hier glaubt, kommt von rückwärts Hoheit! Annina! Bemerkt plötzlich, dass niemand im Zimmer ist, kleinlaut Sind schon drin da! Geht zur Tür rechts, ruft Hoheit! Hoheit! HERZOG hinter der Szene Was gibt es? CARAMELLO Sämtliche Senatoren bitten um Einlass! HERZOG wie oben Wirf sie hinaus! CARAMELLO laut, als ob er zu anwesenden Herren sprechen würde Sie haben gehört, meine Herren Hinaus! Eilt nach rückwärts, ruft Herein, meine Herren! Da niemand kommt, zum Publikum Also bitte, wenn man jemand braucht, ist niemand da! nervös Aber ich lasse sie nicht allein! eilt wieder zur Tür rechts, ruft Hoheit! Hoheit! HERZOG hinter der Szene, ungeduldig Was gibt es schon wieder? CARAMELLO Wenn mir nur etwas einfallen würde rufend Signor Delacqua ist hier! HERZOG öffnet die Tür Wirf ihn hinaus! CARAMELLO der immer versucht, in das Zimmer zu blicken Er lässt sich nicht abweisen! HERZOG tritt aus dem Zimmer Was heisst das, er lässt sich nicht abweisen? Ich will nicht gestört werden! CARAMELLO Zu Befehl, Hoheit! HERZOG klopfl Caramello auf die Schulter Diese Signora Barbara ist übrigens ein jede Silbe betonend reizendes Weibchen! CARAMELLO sehr weinerlich So? Reizend? Ist sie wirklich so reizend? HERZOG Aber sie ist spröde, sehr spröde! CARAMELLO plötzlich ausser sich vor Freude Sie ist spröde? eilt froh nach rückwärts Höre es, Volk von Venedig, sie ist spröde! HERZOG Aber ich werde auch dieses Herz besiegen! Auch sie wird mein werden! Geht lachend, Caramello mehrmals zublinzelnd, in das Zimmer zurück CARAMELLO allein zum Publikum Bitte, was hat er gesagt? Auch sie wird mein …? So eine Gemeinheit! nach rechts sprechend Na, freue dich auf das morgige Rasieren! ACHTER AUFTRITT Caramello. Pappacocla, später Volk PAPPACODA als Senator gekleidet, mit einer falschen, unförmigen langen Maskennase, alle Taschen vollgestopft, eine lange Wurst unter dem Arm und eine bauchige, mit Stroh umwundene italienische Weinflasche um den Hals gehängt, kommt torkelnd von rückwärts Caramello! CARAMELLO erfreut Ah, Pappacoda! Du musst mir helfen! Aber mir scheint, du hast einen Schwips? PAPPACODA Einen nur? Ich habe zwei Schwipse! Einen vom Wein und einen vom Schnaps! CARAMELLO Sauf aus! PAPPACODA Aussaufen soll ich? Gleich, gleich! will trinken Aber die Nase geniert mich! schiebt sich die Nase auf die Stirn und trinkt Hast du nicht Ciboletta gesehen? CARAMELLO Ach, lasse mich in Rub mit deiner Ciboletta! Ann ina ist hier im Palast! Der Herzog gibt sie nicht frei! Eile hinab an den Kanal und hole einige Genossen, damit wir Annina mit ihrer Hilfe entfuhren! PAPPACODA Dazu brauche ich nicht hinabzueilen! Ich habe deine Einladungskarten an meine Freunde verteilt…jeder frisst für drei, sauft für fünf und stiehlt für sieben! CARAMELLO Herein mit ihnen! Je mehr Lärm, desto besser! Der Herzog soll keine ruhige Minute haben! Pappacoda pfeift, von allen Seiten kommen Männer und Frauen, durchwegs mit vollbeladenen Taschen, fast alle betrunken Nr. 11 - Ensemble mit Lied CHOR Solch ein Wirtshaus Lob ich mir! Gut und billig Speist man hier! Wer bescheiden, Der verliert, Zugegriffen Ungeniert! Auch für morgen Lasst uns sorgen, Angepackt Und eingesackt! Marietta, come va? Se oggi là va bene Domani non si sa! PAPPACODA Schau, wie sich alles gut unterhält, zu Caramello Doch hab ich sie dir noch nicht vorgestellt! Dieser noble Cavaliere, Luigi ist s, der Gondoliere! Der hier Strassenmusikant, Dieser Käselieferant! Dort ein Schneider, un sartore, Und hier dieser pulitore Putzt die Stiefel rein und blank, Und der geht auf den Rattenfang! Das ist Peppo, ein Facchino, Hier vom Land ein Vetturino. Dieser duftet so pikant, Weil er steht am Zwiebelstand! Der dort säuft, ist Bürstenbinder, Er vertrank schon Weib und Kinder! Die Signora hier ist Wäscherin, Die Donna Öbstlerin! Kurz, die ganze riunione Ist wahrhaftig gar nicht ohne, Die und der, und der und die Alle sind sie nobili. CHOR Pensieri ne ho tre Quello dell amorosa, Ii vino et anche il café! Ohe, tralala, ohe! CARAMELLO Doch mit Vorsicht sorget klug, Dass die Taschen weit genug! CHOR Mit Vorsicht sorget klug, Dass die Taschen Weit genug! Ohe, tralala, ohe! Si mette tutto in sacco, Macacco, per bacco! PAPPACODA leise Man steckt ein, man steckt ein, Bis alle Tische blank und rein! zu Caramello Noch sah Ciboletta ich nicht Soviel ich im Saale auch such! Ha, wenn sie die Treue mir bricht, So trifft die Verrät rin mein Fluch! CARAMELLO ironisch begütigend Man steckt ein, man steckt ein, Wer Weibern traut, wird stets bereun! Si mette tutto in sacco, Per bacco, per bacco! Per bacco! Man steckt alles ein! Annina ist hier im Palast, Der Herzog gibt sie nicht frei, Das bringt zur Verzweiflung mich fast! Was soll ich nun machen dabei? PAPPACODA ironisch Caramello kopierend Man steckt ein, man steckt ein, Der Herzog könnt sonst böse sein! Si mette tutto in sacco, Macacco, macacco, Per bacco, man steckt alles ein! CHOR Si mette tutto in sacco, Macacco, macacco, Per bacco, man steckt alles ein! CARAMELLO Wird wo ein Verbrechen vollführt, Ist schnell auf der Spur Polizei. In Masse wird dann arretiert, Vielleicht ist der Schuld ge dabei! PAPPACODA Ah. Caramello stopfl ihm den Mund mit der Salami und übernimmt den Ton BEIDE Man steckt ein, man steckt ein, Der Rechte kann ja drunter sein! Si mette tutto in sacco, Macacco, macacco, Per bacco, man steckt alles ein! CHOR Si mette tutto in sacco, Macacco, macacco! Per bacco, man steckt alles ein! Alle laufen lärmend ab, Caramello folgt ihnen NEUNTER AUFTRITT Annina. Herzog. Dann Caramello. Später Pappacoda.Zuletzt Delacqua, Barbaruccio und Testaccio HERZOG kommt von rechts Dieser Spektakel! Den hat mir sicher Caramello angerichtet! zurücksprechend Die Luft ist rein, kommen Sie, Signora! ANNINA kommt lächelnd Mit einem Wort, Sie geben Ihre Bemühungen auf? HERZOG Noch lange nicht, schöne Signora Barbara! Ihre Kälte macht Sie mir nur noch begehrlicher! er eilt auf sie zu, will sie umfangen Ich liebe Sie, Signora … ich liebe Sie! will sie küssen CARAMELLO der plötzlich eintritt Ho … Ho… Ho……Hoheit! HERZOG lässt Annina frei Was willst du denn wieder? CARAMELLO Einer der Herren Senatoren wünscht seine Aufwartung zu machen! HERZOG Wirf ihn hinaus! CARAMELLO Oh… Das geht nicht auf die Lange Nase Pappacodas zeigend, die langsam, nach und nach, hinter der Portiere sichtbar wird Seine Nase ist schon da …gleich wird der ganze Senator da sein! Pappacoda kommt als "Senator" Da ist er schon! PAPPACODA sich verbeugend Oh … Euer Hoheit! zu Caramello Was soll ich denn reden? CARAMELLO leise Was du willst! Du bist ja ein Senator! im selben Moment treten Delacqua, Barbaruccio und Testaccio auf DELACQUA Oh, der Herzog, Hoheit! BARBARUCCIO Hoheit! TESTACCIO Hoheit! HERZOG deckt Annina, leise zu ihr Fassung, Barbara, die Ehemänner sind blind! laut Ich begrüsse alle vier Senatoren! DELACQUA, BARBARUCCIO, TESTACCIO Vier? - Wo? - Ah! - Da! DELACQUA zu Pappacoda, der sich ängstlich drücken will Wie mir scheint, Kollege Grimaldi! PAPPACODA mit verstellter Stimme Nein, ich bin der andere! BARBARUCCIO Nein. Ich kenne keinen Senator mit einer solchen Gurkennase! TESTACCIO Die Nase scheint falsch zu sein! DELACQUA Vielleicht der ganze Senator! zu Pappacoda Wer das geheiligte Kleid der Senatoren als Maskenkostüm trägt, den straft das Gesetz mit einem Jahr Galeere! PAPPACODA O maccheronata! Jetzt, Frechheit, hilf! HERZOG ungeduldig Nun, meine Herren? BARBARUCCIO Hoheit, wir kommen, für das glänzende Fest zu danken! Ein echt italienisches Fest! DELACQUA, TESTACCIO Echt italienisch! HERZOG Zu gütig! Es galt ja, Venedigs Senat zu ehren! Leider wurde der Beschluss gefasst, die Damen vom Fest auszuschliessen! DELACQUA Nun, ich habe mich um diesen Beschluss nicht gekümmert, denn meine Frau ist von Treviso zurückgekehrt und befindet sich hier! Der Herzog und Annina sehen sich betroffen an Sie brennt vor Verlangen, Euer Hoheit vorgestellt zu werden! eilt ab PAPPACODA sich vordrängend Auch meine Frau brennt darauf, Euer Hoheit ins Angesicht zu treten! verneigt sich CARAMELLO leise zu Pappacoda Komm, komm - Du musst mir helfen! PAPPACODA Euer Hoheit - con piacere - cavaliere - habe die Ehre… ab mit Caramello. Auch Barbaruccio und Testaccio entfernen sich ZEHNTER AUFTRITT Der Herzog. Annina. Dann Delacqua mit Ciboletta HERZOG zu Annina Was soll ich davon denken? Hat denn Delacqua zwei Frauen? ANNINA Zwei Frauen? Er hat gerade genug an einer! Ich bin die echte, so wahr Caramello Barbara Delacqua entführte! HERZOG Ja, wen will er uns denn da bringen? DELACQUA kommt mit Ciboletta, die einen schwarzen Domino trägt und eine Larve vor dem Gesicht hat. So, Euer Hoheit, hier ist meine Gemahlin! HERZOG sich verbeugend Signora! DELACQUA zu Ciboletta Wir sind Unter uns, du kannst die Larve abnehmen! Ich erlaube es dir! HERZOG Und ich bitte darum! Ciboletta demaskiert sich und lässt die Kapuze ihres Dominos fallen ANNINA für sich Ciboletta! leise zum Herzog Das ist meine Zofe! HERZOG leise Die Zofe? Oh, unverschämt! DELACQUA leise zu Ciboletta Vergiss nicht, was ich dir eingeschärft habe! Du bist für heute abend meine Frau und bittest um den Verwalterposten für mich! laut Begrüsse Seine Hoheit, Barbara! Ciboletta macht eine tiefe Verbeugung und küsst dem Herzog die Hand HERZOG heiter, ironisch Ich bin entzückt, Venedigs schönste Frau endlich persönlich kennenzulernen! CIBOLETTA Na na schönste Frau? Euer Gnaden, Herr Herzog, nehmen das Maul gar zu voll! gibt dem Herzog einen Rippenstoss DELACQUA leise Wirst du schweigen! zum Herzog Hoheit müssen meiner Gattin verzeihen HERZOG O bitte… Ich finde Signora reizend! Dies ungeschminkte Wesen, diese Haltung - alle diese Reize hatte ich sozusagen vorgeahnt, als ich meiner Bewunderung im vergangenen Karneval in jener Serenade Ausdruck gab, die Signora Barbara so sehr gefiel! leise zu Annina Denken Sie noch jenes Abends, schöne Frau? ANNINA verlegen Freilich, freilich … wie sollte ich nicht? DELACQUA Was für eine Serenade? Nr. 12 - Serenade HERZOG Ninana, Ninana, dir will ich singen, Ninana, Ninana, hör mich an! Ninananana, Ninananana, horch auf das Klingen, Ninananana, Ninananana, antworte dann! Heb auf dein Köpfchen, Liebste, träume nicht, O hör mich an, schlummre noch nicht ein! Ich sage dir vier Worte von Gewicht, Du musst voll Andacht dein Ohr dazu mir leihn! Das erste Dass um dich mein Herze bricht, Das zweite Ich will dein fürs Leben sein! Das dritte Dass ich dir mein Heil befehle, Das letzte Dich allein liebt meine Seele! ANNINA, CIBOLETTA Ninana, Ninana - ach! ach! HERZOG, DELACQUA Ninana, Ninana, schönste der Frauen, Ninana, Ninana, du bist mein Glück! ALLE VIER Ninananana, Ninananana, lass dich erschauen, Ninananana, Ninananana, ach, einen Blick! HERZOG Du gingst am Montag wie ein Stern mir auf Und schienest reizend am Dienstag mir, Allein viel schöner noch am Mittwoch drauf! Zu Füssen lag ich am Donnerstag dir Am Freitag hob dein Blick mich wieder auf; Hab am Samstag dann gelauscht an deiner Tür; Und durft ich dich im Glanz am Sonntag sehen, Da war um den Verstand es bald geschehen! ANNINA, CIBOLETTA Ninana, Ninana - ach! ach! HERZOG, DELACQUA Ninana, Ninana, schönste der Frauen, Ninana, Ninana, du bist mein Glück! ALLE VIER Ninananana, Ninananana, lass dich erschauen, Ninananana, Ninananana, ach, einen Blick! Nach der Serenade geht der Herzog mit Annina etwas in den Hintergrund DELACQUA leise zu Ciboletta Alles geht gut, du gefällst dem Herzog! Jetzt sprich! stösst Sie CIBOLETTA stotternd Herr Herzog! Herr Herzog! HERZOG Sie wünschen? DELACQUA auf Ciboletta weisend Meine …Madonna Barbara hat ein Anliegen! HERZOG Ist im vorhinein gewährt! DELACQUA zärtlich Also sprich, mein Täubchen von San Marco, sprich! Gibt ihr einen Rippenstoss. leise So rede doch, du dummes Ding! CIBOLETTA Mein Gott, ich möcht Euer Gnaden schön gebeten haben um einen Posten in Euer Gnaden Haus! HERZOG Also, um welchen Posten handelt es sich denn? DELACQUA souffliert Ciboletta Verwalter … Verwalter CIBOLETTA Nun, der Mann möchte gern herzoglicher Leibkoch werden. HERZOG lachend Leibkoch? ANNINA ebenso Leibkoch? DELACQUA wütend, für sich Ich Leibkoch? leise zu Ciboletta Verwalter! Verwalter! stösst sie verstohlen CIBOLETTA ohne sich urn Delacqua zu kümmern Es ist ein braver Bursche, namens Pappacoda, der Makkaroni kocht und Stockfisch mit Zwiebeln wie kein zweiter! HERZOG lachend Makkaroni? ANNINA lachend Stockfisch? CIBOLETTA zu Delacqua Nicht wahr, Signor, Stockfisch? DELACQUA wütend Ja, ja! HERZOG Nun, wenn sich Signora Delacqua für Pappacoda verwendet, soll er Leibkoch werden! CIBOLETTA Ach, Herzog, dafür muss ich Ihnen einen Kuss geben! fällt ihm um den Hals und küsst ihn DELACQUA reisst sie vom Herzog weg Du vergisst dich, meine Liebe! Du gehst zu weit! zum Herzog Euer Hoheit wollen meiner Gemahlin verzeihen zu Ciboletta Jetzt komm und freu dich! will sir mit sich ziehen CIBOLETTA hält sich an einem Sessel fest Nein, nein, ich will hier bleiben, es gefällt mir hier sehr gut! HERZOG Ah, Signor Delacqua, wenn es Ihrer Gattin hier gefällt, so gönnen Sie ihr doch das Vergnügen! DELACQUA übertrieben freundlich Ach ja, gönnen wir ihr das Vergnügen! streichelt ihr zärtlich die Wangen und gibt ihr dabei verstohlen einen Backenstreich Ich muss jetzt leider fort! verbeugt sich Hoheit! Ab HERZOG zu Annina Das Muster eines galanten Ehemannes! Ich will aber doch sehen, ob er wirklich geht! eilt ihm nach ELFTER AUFTRITT Annina. Ciboletta. Dann der Herzog. Zuletzt Caramello ANNINA nimmt die Larve ab Ach, Ciboletta, bald hättest du mit deinem Pappacoda alles verdorben! CIBOLETTA erstaunt aufschreiend Annina! Du hier? ANNINA Ja, man hält mich hier für Delacquas Frau! CIBOLETTA stolziert nach vorn Dich? Das bin ja ich ANNINA Ich auch! Ich bitte dich, bleibe dabei, dass ich Barbara Delacqua bin! CIBOLETTA Und ich? ANNINA Do bist, was du bist - meine Zofe! CIBOLETTA Deine Zofe? ANNINA nervös Barbara Delacquas Zofe! Still, da ist der Herzog! HERZOG kommt zurück So, Dciacqua stört uns nicht mehr! zu Ciboletta Ah, ich sehe, wir haben an dir eine Vertraute gewonnen! Ja, Mädchen, ich liebe deine Herrin! CIBOLETTA Signora Barbara Delacqua? HERZOG Freilich! Hat sie es dir denn nicht gesagt? Ich liebe sie! küsst Annina CIBOLETTA für sich Mein Gott, Annina liebt er auch! Was der alles zusammenliebt! HERZOG wendet sich zur Tür, rufi Caramello! CARAMELLO kommt, verbeugt sich Hoheit!? HERZOG Schliesse den Vorhang! CARAMELLO Den Vorhang? HERZOG Und hierher - das Souper! CARAMELLO Das Souper? o je! HERZOG Geh! CARAMELLO O weh! schliesst die Vorhänge. Man sieht jetzt nur die Vorderbühne als intimen Raum für die nächste Szene HERZOG Das Souper! CARAMELLO Adje! heimlich zu Ciboletta Iss dich an, du bist nicht alle Tage bei einem Herzog! Ab ANNINA Wie? Ich soll mit meiner Zofe soupieren? HERZOG reicht beiden die Arme Ja. Soupieren zu dreien - die Herrin - die Dienerin - der Sklave! Also zu Tische! ANNINA Zu Tische! Die Wandlichter werden gelöscht, Pagen bringen von links einen gedeckten Tisch mit zwei grossen Leuchtern Nr. 13 - Finale HERZOG Lasset die andern tanzen da, Tralalala, tralaiala! Ich bleibe lieber bei Barbara! Tralalala, tralalala! Die Herrin zur Rechten, die Zofe zur Linken, Recht vertraulich und nah! Ich seh ein Souper heute abend mir winken, Wie keins ich noch sah! Er hat beide Damen zu Tisch geführt. Zu Caramello, der mit Wein eintritt Caramello, schon wieder da? Was drängst du dich hier ein? CARAMELLO Hoheit wollen mir verzeihn! Da die Diener doch genieren, Wollte ich Euch selbst servieren! ANNINA leise zu Ciboletta Bleibe da, bleibe mir nah! CIBOLETTA leise zu Annina Recht gern, gewiss, ja ja! HERZOG auf Pappacoda deutend, der jetzt als Koch gekleidet eintritt und einige Schüsseln balanciert, zu Caramello Wen bringst du da noch? CARAMELLO Das ist nur ein Koch! HERZOG So so, ein Koch? CARAMELLO Jaja, ein Koch! PAPPACODA Ach ja, ich bin ein Koch! CIBOLETTA leise zu Annina Das ist Pappacoda! ANNINA leise So schweige doch! PAPPACODA der vor Schreck eine Schüssel fallen lässt, leise Das ist Ciboletta! laut Ja ja, ich bin ein Koch! ALLE ANDEREN Ja ja, das ist ein Koch! CARAMELLO beiseite Ach! Zeuge und Beistand mir zu sein, Bracht ich den Leidensgenossen herein! PAPPACODA für sich Na wart, Ciboletta, du kannst dich freun! HERZOG zu den Damen Kommt, kommt, Ihr holden Frauen, Lasst jetzt uns soupieren! Wir wollen scherzen und lachen, Werden superb uns amüsieren! zu Annina Bald küss ich dich, zu Ciboletta Bald wieder dich! zu Annina So lieb ich dich! (Zu Ciboletta.) So lieb ich dich! ANNINA, CIBOLETTA Warum sollt ich nicht mit dem Herzog soupiern? Zu drei n kann ein Tête-à-tête keinen geniern! Ob Caramello/Pappacoda vor Wut ausser sich - Was kümmert s mich? CARAMELLO grollend für sich. Meineidige Annina! PAPPACODA ebenso. Treulose Ciboletta! CARAMELLO, PAPPACODA Du willst mit ihm soupieren, Lässt dich allzuleicht Vom Glanze verführen?! Kannst du so ganz vergessen mich? Pfui, schäme dich! HERZOG sich zärtlich zu Annina neigend. Wie klopft in Ihrer Nähe das Herz mir froh CARAMELLO fährt mit einer Weinflasche zwischen die beiden. Befehlen Hoheit Rheinwein oder Bordeaux? schenkt ein HERZOG zu Ciboletta geneigt. Sie sprechen ja zu mir kein Wörtchen mehr! PAPPACODA fährt mit der Schüssel zwischen die beiden Hier ist Boeuf à la mode! Bitte sehr! HERZOG zornig Packt euch hinaus! Ihr langweilt mich! ANNINA, CIBOLETTA beiseite, zugleich Er ärgert sich! CARAMELLO leise zu Pappacoda Jetzt hol ich die andern! Den Wein nehm ich mit! Ab HERZOG zu Annina Du bist das schönste Weib der Welt, Bist aller Frauen höchste Zier! Glücklich der Mann, der dir gefällt, Rücke doch näher her zu mir! ZWÖLFTER AUFTRITT Vorige. Die Gäste des Herzogs. Ein Herold.Caramello zieht jetzt rasch die Vorhänge zurück. Man sieht in den von Masken, Senatoren usw. belebten Saal. In der Mitte auf einem tragbaren Gerüst ein hübsches Mädchen in einem symbolischen Karnevalskostüm, eine bunte Fahne in der Hand, umlagert von Tänzerinnen. Phantastische Beleuchtung. HEROLD gesprochen. Um zwölf Uhr zieht nach altem Satz Die Maskenschar zum Markuspiatz! Dort kommt man schon Zu holen Euch Mit Sang und Klang! HERZOG Verhasster Zwang! gibt ein Zeichen; der Maskenzug bewegt sich nach vorn CHOR Jetzt ist s Zeit zur Lustbarkeit, Drum, Freunde, seid bereit! Lebenslust, Schwellt die Brust, Gibt tins das Geleit! Mondlicht strahlt in voller Pracht, Der Sternenhimmel lacht! Welch ein Bild, Wonnig mild, Gibt Venedigs Nacht! Karneval Ruft uns zum Ball Er ist Souverän! Zögert nicht, Denn was er spricht, Muss sofort geschehn! Frisch hinaus zum Markusplatz, Musik zielst uns voran, Arm in Arm mit seinem Schatz, Folgt fröhlich jedermann! Hinaus! HEROLD zum Herzog Bereit seht Ihr schon der Masken Schwarm, Die Stunde schlug, es ist schon spät! HERZOG zu Annina und Ciboletta Wohlan, meine Damen, Ihren Arm, Fügen wir uns der Majorität, seufzend weil es anders nicht geht! ANNINA, CIBOLETTA lachend Weil es anders nicht geht! Man hört von fern Glockengeläute ALLE Horch! Von San Marco der Glocken Geläut Kündet die Mitternacht, Kündet die Mitternacht, Mahnend ertönet ihr Ruf es ist Zeit, Dass laute Lust hier erwacht! Wer sich will der Freude weihn, Der komme nicht allein, Wen sein Liebchen liess im Stich, Der such ein andres sich! Frisch hinaus zum Markusplatz, Musik zieht uns voran, Arm in Arm mit seinem Schatz Folgt fröhlich jedermann! Hinaus! Hinaus! ANNINA nimmt aus der Hand der Karnevalsfigur die Fahne, schwingt sie fröhlich Jetzt gebietet der Humor, Sein Banner flattert hoch empor, Seinem Zepter folgt die Schar, Die treu ihm stets ergeben war! ALLE Jetzt gebietet der Humor, Sein Banner flattert hoch empor, Seinem Zepter folgt die Schar, Die treu ihm stets ergeben war! ANNINA, CIBOLETTA Seinem Rufe untertan, Kommt heran, reiht euch an! Heitre Lust ladet ein Jeder soll willkommen sein! ALLE Seinem Rufe untertan, Kommt heran, reiht euch an! Heitre Lust ladet ein Jeder soll willkommen sein! CARAMELLO hat Annina die Fahne aus der Hand genommen, kommt, das Banner fröhlich schwingend, nach vorn Jetzt gebietet der Humor, Sein Banner flattert hoch empor, Seinem Zepter folgt die Schar, Die treu ihm stets ergeben war! ALLE Jetzt gebietet der Humor, Sein Banner flattert hoch empor, Seinem Zepter folgt die Schar, Die treu ihm stets ergeben war! CARAMELLO Seinem Rufe untertan, Kommt heran, reiht euch an! Heitre Lust ladet ein Jeder soll willkommen sein! ALLE Seinem Rufe untertan, Kommt heran, reiht euch an! Heitre Lust ladet ein Jeder soll willkommen sein! HERZOG übernimmt die Fahne von Caramello Jetzt gebietet der Humor, Sein Banner flattert hoch empor, Seinem Zepter folgt die Schar, Die treu ihm stets ergeben war! Die immerdar ihm treu ergeben war! Bacchantischer Tanz, Männer tragen die Karnevalsfigur nach vorn bis in die Mitte der Bühne ALLE Alle maskiert, alle maskiert, Wo Spass, wo Tollheit und Lust regiert! Ganz ungeniert alle maskiert, Cospetto, wie amüsant das wird! Vorhang. Strauss,Johann II/Eine Nacht in Venedig/III
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Financial Cloud Market Growth, Segments Of The Tech World Industry Size COVID-19 Impact Industry Trends, Opportunity and Forecast 2027 Market Insight Globally, the Financial Cloud Market Growth is expected to have significant growth over the forecast period. The growth of the market can be attributed to the increasing digitalization across the globe and growing number of financial institutions that demand advanced IT solutions to gain genuine competitive advantage instead of only building and maintaining an expensive IT infrastructure. The financial cloud solutions enable enterprises to reach their existing as well as potential customers with right advertisement, in the right way, and at the right time, enabling enterprises to build a strong relationship with their customers. Due to these factors, the Financial Cloud Market Growth is expected to grow with significant rate in the upcoming years. However, high initial cost and lack of expertise, particularly among small and medium-sized enterprises (SMEs) in developing economies, are expected to hinder growth of the global Financial Cloud Market Growth. The study on the Financial Cloud Market Growth 2020 by Market Research Future has been conducted keeping the current proceeding within the financial cloud industry. COVID -19 Impact The report further considers the impact of the novel COVID-19 pandemic on the financial cloud market. It offers a clear review of the projected market fluctuations during the forecast period (2020-2027) at a pace of 22.7% CAGR while anticipating a valuation of USD 46.03 billion from USD 16.55 billion in the same period. Request a Free Sample @ https //www.marketresearchfuture.com/sample_request/7492 Operational efficiency is one more factor in driving the growth of the finance cloud market. A few years back, Roha Housing Finance wanted to issue loans within two hours instead of three days. After adopting cost-efficient cloud-based technology, it was able to offer end-to-end loan processing within seven days, which was 50% faster than the housing finance industry benchmark. Such instances probed the market for the financial cloud to rise at a substantial level and thus set the future to score toweringly with a host of opportunities. Further, MRFR finds that the financial industry is mostly prone to cyber threats due to the sensitivity of the data. It continues to develop in frequency, as the data generation volume grows. On this approach, Equifax incurred losses of about USD 1.35 billion from a devastating 2017 breach that affected more than half of the American customers as well as millions of the consumers in the United Kingdom. Here, the necessitate of adopting financial cloud came into action, which labelled to be highly successful. This instance also made the market of financial cloud more and more positive by the time, which resulted fruitful in the present time when the whole world is affected by COVID 19, and several industries went down. But the financial industry has less effect on it due to the firm base created for years. Segmental Analysis The global financial cloud market study has incorporated various segments that are component, cloud type, organization size, and sub-industry. Depending on the component segment, the market includes solutions and services. Among these, the solutions segment is further segmented into wealth management, customer management, security, financial forecasting and analytics, and others. The service segment has included professional and managed services. Depending on cloud type segment, the market has included public cloud and private cloud. Depending on organization size segment, the market has included large enterprises and small and medium-sized enterprises. Depending on the sub-industry segment, the market has included banking and financial services and insurance. Regional Framework The global market for global financial cloud is estimated to grow at a significant rate during the forecast period from 2018 to 2023. The geographical analysis of the market is studied for North America, Europe, Asia-Pacific, Middle East Africa, and South America. North America is presumed to have the largest market share in the global financial cloud market. The US, Canada, and Mexico are the leading countries in the region. The growth is attributed to the presence of large number of financial institutions and wealth management firms and a high degree of digitalization in the region. Asia-Pacific is anticipated to be the fastest growing region in the global financial cloud market over the forecast period. Rapidly increasing number of banking and insurance businesses and rising demand for advanced banking solutions in the region are the key driving factors for the growth of financial cloud market in the region. Key Players The prominent players in the financial cloud market are Google LLC (US), Microsoft Corporation (US), Oracle Corporation (US), IBM Corporation (US), Amazon Web Services, Inc. (US), SAP SE (Germany), Capgemini (France), Infosys (India), Fiserv, Inc. (US), FIS (US), and Temenos Headquarters SA (Switzerland). Browse Complete Report @ https //www.marketresearchfuture.com/reports/financial-cloud-market-7492 Table of Contents 1 Executive Summary 2 Scope of The Report 2.1 Market Definition 2.2 Scope of The Study 2.2.1 Research Objectives 2.2.2 Assumptions Limitations 2.3 Market Structure Continued… Similar Report B2B Telecommunication Market Information by Solution (Unified Communication and Collaboration), Deployment (Fixed, Mobile), Organization Size (Large, Enterprise), Application (Industrial, Commercial) and regions Trending #MRFR Report** https //ictmrfr.blogspot.com/2022/04/geofencing-market-companies-growth-with.html https //blogfreely.net/pranali004/telecom-expense-management-market-size-impressive-cagr-changing-business-scope https //postheaven.net/pranali004/financial-app-industry-impressive-cagr-changing-business-needs-scope-of https //market-research-future.tribe.so/post/openstack-service-market-research-impressive-cagr-changing-scope-of-current--6263de46791566c10c79891e https //www.scutify.com/articles/2022-04-24-infrastructure-as-a-service-industry-cagr-changing-business-scope-of-current-and-future-industry- About Market Research Future At Market Research Future (MRFR), we enable our customers to unravel the complexity of various industries through our Cooked Research Report (CRR), Half-Cooked Research Reports (HCRR), Raw Research Reports (3R), Continuous-Feed Research (CFR), and Market Research Consulting Services. Contact Market Research Future (Part of Wantstats Research and Media Private Limited) 99 Hudson Street, 5Th Floor New York, NY 10013 United States of America 1 628 258 0071 (US) 44 2035 002 764 (UK) Email sales@marketresearchfuture.com Website https //www.marketresearchfuture.com
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Environmental Systems and Engineering Harcourt College Pub? Judith B. Carberry? HarcourtCollegePub? JudithB.Carberry? ジャンル別? Subjects-Engineering-Civil-Surveying&Photogrammetry? Subjects-Engineering-Civil-Environmental-General Subjects-Engineering-Civil-Environmental-SolidWasteManagement? Subjects-Engineering-General? Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Professional&Technical-Engineering-Civil-Surveying&Photogrammetry? Subjects-Professional&Technical-Engineering-Civil-Environmental-General Subjects-Professional&Technical-Engineering-Civil-Environmental-SolidWasteManagement? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-ProfessionalScience-EarthSciences-EnvironmentalScience? Subjects-Science-EarthSciences-EnvironmentalScience Subjects-Science-General Cleaning Up Praeger Publishers Inc.,U.S.? Joan Norris Boothe? PraegerPublishersInc.,U.S.? JoanNorrisBoothe? ジャンル別? 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I got just what you need. Decrypter It s a small program for your mobile, for any mobile. It disguises the phone and makes it hard for the Eye in the Sky to track it. Interesting. Something like that is very hard to find. Show me. I ll transfer it over. Good. So we have a deal? Very nice, very nice. This is some good stuff. Where you get this? I never seen nothing like this before. This will make my customers very happy. Yes, yes. We have a deal. Here is lockpick for you. Pleased to do business. Very pleased. Mobile not very interesting. But my customers, they paranoid. They like to be invisible. If I could make mobiles invisible... Like...some kind of cloak for mobiles? Yes, yes, that could be worth a lot to me. Definitely worth trading away last lockpick. All-righty. I ll keep my eye on the tower, just in case anything...happens. Jackpot! Maybe! Someone s in there got the munchies, and they just ordered out. From where? Uh, I don t think Zoë caught that part. She just said sandwich . It doesn t matter. I can fake it. So, food delivery. That s the way to get in. There s lots of stuff about the Static, but nothing you wouldn t be able to find on the Wire. Looks like he was doing research into that. Not bad, Kian. You did well out there today. Good performance Thank you, Master, but your praise shames me. The light of the Goddess blinds my opponents, and guides my sword to victory. Your skill with the sword is unmatched, Kian, and so is your faith, but the one does not equate with the other. What do you mean, Master? Politics! When did you become a woman? Your dedication to the Mission is a waste of your potential. And your time. Well, you ve never approved of my calling, but I have pledged my life to the Goddess, and I have vowed to protect her Word. The Word of the Goddess does not require your protection. And you have pledged your life to the Six, not the Goddess. Don t confuse the two. On this, we will never see eye to eye, Master. I am an Apostle of the Faith, and I have― With great talent comes great responsibility. You could be a powerful man, Kian. Instead you have chosen life as a puppet. A puppet! Excuse me, Master. Master, forgive me. I am being sent to the havens tonight, Master. A cloudship will take me east, across the ocean. I must leave with haste. So, Apostle, what will they have you do this time? With haste . I see. Another heathen who needs converting? There s great darkness in this world. Is it not our duty to illuminate the darkness with the light of the Goddess? We cannot make the sun rise in the dead of night, Kian. Like everyone else, we must wait for dawn. Must we have this discussion again, Master? It seems to me you question everything I believe in. Not so, Kian. You know I m a man of faith. What I am questioning is our right to impose our faith on others. I ve been to these Eastern lands, and― And is it not a place full of darkness and sin? Would it not be better off under the guiding light of our Faith, and the mercy of the Goddess? What would you have me answer? There is indeed arrogance, oppression, murder, and fear in those lands...but there s also beauty, freedom, and humility. And the brightest day has the darkest shadows, Kian. Remember that. I must depart now, Master. The cloudship leaves the havens at first light, and my duty beckons. Duty or no duty, do only what you yourself believe to be right, and not what others tell you is right. And the light of the Goddess upon you, Master Garmon. Of course, Kian. You re excused. We will continue practice without you. Amanon! Nozan! Into the ring! And try not to swing your swords like shy little schoolgirls this time around! I m surprised, Kian. You count yourself among the best, but now you ve been defeated by a student. Medium performance I apologise, Master. I have disappointed you. I shall pray and make sacrifice to the Goddess for guidance. Her light will illuminate my path and guide my sword. I...don t know what happened out there, Master. Maybe the Goddess is punishing me for my pride. I must pray and make sacrifice. Your faith is unquestionable, Kian, and your skill with the sword is unmatched. But the one does not equate with the other. Kian! Where s your focus, boy? You re supposed to teach them how to fight, not how to lose! Bad performance The problem is neither your skill with the sword nor your faith in the Goddess, boy. The problem lies in equating the one with the other. Oy! You right there? Good afternoon. This is the Victory Hotel, right? I need a room. I ll be staying until Tuesday. Do you serve breakfast? Vacancies I ll pretend that I think this really is a hotel - maybe that ll throw him off Hello. I m, uh, here to apply for that job. Job I ll pretend I m here for a job interview A job? I didn t know we were hirin . I ll have to check that with me, uh, with the...manager... Ah, mate! Wait a minute. We re not hirin . Who told you we d be hirin ? I saw the...ad. Maybe I could talk to the manager, and― You have a hearin problem? I told you, we re not hirin . Now, I m takin you to the door, and then you ll bugger off, nice and quiet like. I can t leave. What happened to nice and quite like? Now, get stuffed, or I ll chuck you out the door meself! Ah, yeah, gidday. Sorry, darlin , but this ain t no― Oh, right-oh. Yeah. The Victory Hotel. That s what the door says. Vacancies, eh? Uh... Everywhere else is fully booked, and I really need a room. Do you have anything with a bathtub? Oy, we might have somethin on the― Wait a minute. How d you get in ere? I didn t hear the buzzer...or did I? I buzzed, and someone let me in. Isn t this the reception? I like it. It s...rustic. Seriously? I can t tell him I broke in! I didn t hear the buzzer. Maybe someone... Bloody-oh, Marcus will throw a right fit. I ll be up shit creek, fer cryin out loud... I came in through the basement. Why not tell the truth? Now, don t get smart with me, darlin . No one comes in the basement. We ve closed that up, real tight, like. Still. Basement. What s that setup you got down there? What s that for? You re not lookin for a place to stay, are you? You broke in? What are you snoopin around for, eh? Ah yeah, my ass is toast if Marcus hears about this... Maybe I should just― Shut it! I m tryin to think, here... With all due respect, that could take a while. In the meantime, why don t I just continue on my way, and you can forget you ever saw me. I ll forget I ever met you, alright. After I send you swimmin in the nearest canal! Listen, I don t want any drama. I just want a room. Something with a view. Calm The key is to stay calm Ah yeah. A room. Uh. With us bein a hotel n all. Maybe... Well I don t think there s anything available at the moment. Listen, I buzzed, the door opened, now I want a room. Aggressive Show him who s the boss Maybe I could just have a look around? Check out the rooms and the facilities. You know, scope out the place. I ll demand to check out the room for myself No-no-no. Sorry, darlin , but I can t let you wander round here alone. Wouldn t be mindin me job, would I? We don t have any vacancies. We re a very popular...hotel. Yeah, sorry. I ll have to show you out. You can go ask your manager. I ll wait here. Manager Asking for the manager always does the trick Me...what? You ll wait here? I ll wait here. Right-oh. Well. See, there s...uh. Me manager? Better yet, let me take a look around, see if this place s to my liking. I ll come right back here when I m done. No need to bother your manager. Ah, fair dinkum. I guess that s... You ll come back here when you re done, yeah? No. I m not leaving. Don t get smart with me, darlin . Now you ll be off like a bride s nighty, or I ll I have to drag you out meself. Come on. What? We don t have an― No rooms available, I m afraid. You know, holiday season. Which holiday? Christmas was four weeks ago. Ah yeah, well, long-term guests. Stay right through Chrissie and into the New Year. So, get stuffed. I m not leaving. You deaf? I told you to get stuffed! Guess I have to toss you out meself, then. Come to Wazza! That clock doesn t appear to work. It looks like this might have been a nice neighbourhood at some point, but now...? That s really beautiful. He seems to be in a hurry to get somewhere. That s the scaffolding Chawan was talking about. It rises all the way up to that unfinished bridge. The South Gate. This has been closed ever since they moved all the traffic to the harbour over on the west side. I used to like The Salty Seaman before they had to shut it down. Back in the old days, we used to come to The Cock and the Puss, just me and the boys... The Azadi will probably replace this well with one of their machines soon enough. I think he sells spices...even though I can t see any. Roper Klacks, my old nemesis. Rehabilitated, apparently. We ll see about that. They ve kept the blue flame burning here in Oldtown for a thousand years, apparently. It didn t even go out when the Tyren held the city. Blue flames. I can totally deal with that. I ve seen weirder things. This is magic, I m sure of it. Still, it feels warm enough. I don t believe in judging people by their appearance, but that guy looks a bit...evil. Ish. Back when I first came here, you wouldn t have seen a Banda in Marcuria. The only reason you see them here now is because their villages have been destroyed by the Azadi. That is an animal, not a thinking, feeling person. It cannot be. Our teachings are clear on that matter. Oh! He s so cute and cuddly, like a koala bear! Blue man. That s not so weird. I ve known some blue people. They d always wash it off later, but still. I get blue. He s Dolmari, and therefore he has to live inside the walls of the magic ghetto , or he ll be arrested. He looks deceptively human...but he s not. He s just a magical. It s Crow, my new sidekick. It s so cool to have a sidekick. I feel a lot better now. Here in Oldtown, you can still get herbs and potions that the Azadi have outlawed. Looks like they sell everything here. Food, herbs, potions, clothes... It s a lot better than the South Gate Market, that s for sure. They trade and sell contraband here, items of a sorcerous nature. Still, it doesn t relate to my mission, and I have no time for such trivial matters. That s probably a fishing boat of some kind. Not that I know anything about boats, but a girl can always guess. I d imagine that s a trading vessel. It looks big enough to carry cargo. I have no interest in that. It s a Shadowship, a vessel belonging to the Dark People. They travel faster than any other seagoing vessel. It s one of the Dark People. A...Dark Person? He s probably a Shadowguide, the captain of that Shadowship. What are the Azadi doing here? I thought they stayed out of Oldtown as much as possible, except during raids. Our ship. I ll be happy to see her go east with the supplies. Every hour she stays here, the chance of something going wrong increases. That s not a good sign. Literally. They used to do brisk business in nooses here, when Friar s Keep held condemned prisoners. Nowadays, it s the axe-sharpening business in Sadir that s booming... From what I understand, these Northlanders put ropes around condemned prisoners necks, and strangle them to death. Another guard. Dammit. I ll have to find a way to get past him. He s sleeping. If I m really quiet, I can probably sneak past him now. Examine sleeping light That s Crow. He s here with April to rescue me. He looks so much happier now. Examine after gum Riko, looking a lot happier than she did earlier. What s that up there? They re all closed and locked. Maybe there s a way out through here. That man is connected to those machines via cables and wires. What purpose do they serve? It s really lush in here. Those flowers are beautiful. It s a car wreck. The fence looks brand new compared with everything else around here. Strange. Crates. What would a post-apocalyptish, industrial wasteland be without them? This is like a showroom for derelict industrial areas. Crates? Check. Barrels? Check. Burned out cars? Check. That s probably where they would load the products onto vans, back when this factory was in operation. One bed, one patient...a child. Who was it? What were they doing here? This was definitely a child s room. It looks like they ve built this town from bits and pieces of everything - even boats. Fireworks? Maybe they re celebrating something. You re sure you didn t see anyone wearing a hooded cloak? I m sure. I have customers to attend to, April. Excuse me. Aaralyn. She s been coming here for a while. She s really cool. I like her. Nia s not been here that long, but she s really good. And really competitive. Aurélie. I don t think she likes martial arts that much. She just wants to stay in shape. The thing I like about Casablanca is that it s so multi-cultural. Zoë, are you checking out random guys again? Getting desperate? I ve seen that guy around before. I don t think I ve seen a creature like that before, certainly not in the Northlands. It must be a coincidence...but that looks a lot like the Azadi tower in Marcuria. And I think we re right below it. Runes...symbols. I don t recognise them, but it s probably an ancient language. Whomever built this city, they paid great attention to detail. There are carvings and ornaments everywhere. I don t know if the crystals are natural or not, but it seems they provide both light and heat to the caverns. Hmm, I don t think I can get down that way. That hooded man, he went through there. We will go through the terrorists belongings later. Maybe something in there will tell us where the rest of them are hiding. That beer tap looks like the steam machines I ve seen around the city. It s a kind of fruit. It smells...acrid. They have apples. There are so many similarities between my world and Arcadia...but this world still feels completely alien. It s just a broken wagon. That s not going anywhere. Don t they have, like, wagon mechanics in this city? Sooner or later, Arcadia will end up looking like Stark. It s just a question of time. They must have just installed these steam machines. They look brand new, and they definitely don t fit into the whole medieval look of this place. MISSING TEXT - but I don t know if you actually get to examine him. Cold Stone Gate used to be open day and night. Not anymore. The camp is almost empty. The Azadi must be expecting reinforcements. I don t have time to check out strangers. The men in this city are dressed strangely. The women, too, but they should be free to wear anything they desire. I am told that many soldiers have been sent north to fight the terrorists. Reinforcements are due soon. I hope there is room for everyone. It s a striking - and frightening - sight. That looks appropriately Azadi. She keeps her desk clean. I don t know if that s a good sign or a bad one. MISSING TEXT - if we put them in That s a Samare. She s really beautiful. I don t think I ve ever seen a male Samare. They re supposed to be rare. Wow. She s― I mean, I m assuming it s a she. She s really, really beautiful. I wonder what her people are called. What a...strange creature. It is an abomination in the eyes of trueborn, of course, but she...it is a strange sight. She s beautiful. I wonder what she is. A Samare. I thought they didn t like the ocean. Maybe she s curious. The Captain. He looks a bit too relaxed, seeing as there are still supplies left to be loaded. That creature... I have never seen its like in Sadir. It must be native to these Northlands. He will escort the traitor to the tower. He fought bravely, but in the end he was no match for my sword. The Goddess guides me to victory. Even here, on this deserted street. They re really serious about this industrial revolution of theirs. You can t escape the Azadi steam machines. They re everywhere. I see the smiths have been busy. There are almost as many machines here as there are in Sadir. These doors and windows are all locked or boarded up. Does anyone even live here anymore? Crab Bend used to be a lively neighbourhood, but all the non-humans have been forcibly moved to Oldtown, and the street s completely deserted. No one lives here anymore. That gate leads into the prison. Even though the prison is run by the city watch, we keep one of our own posted here at all times. After all, these are our prisoners. We might be able to squeeze through that window, although I don t know how we ll get up there. Examine far no crate They ve got a kitchen, but no kitchen staff. Lucky for us. Looks like they have everything needed for a fully working kitchen. I can t go back up until I ve finished what I came here for. I like spiders a lot better when they re inactive. Damien said that I can control a spider remotely with the software he put on my mobile. That looks like a holographic representation of the Dreamcore. That s incredible. It looks like an alien creature. It s hard to believe that it s a biological computer. Those elevators go up to the ground floor, but I won t be going up that way, unfortunately. Examine not use I want to stay far away from those cracks. It s a moveable crane. Looks like it can cover the entire factory floor. It s the factory floor control room. Those were probably used for packing the dolls as they came off the production line. It s the loading dock. Lockers. It doesn t look as though this place is in use anymore. Whoever worked here seems to have left in a hurry. Rich and beautiful people, doing...whatever it is the rich and beautiful do. Everyone here s wearing the latest styles. I feel a bit...underdressed. Nice dress. If you leave now, you won t be able to get back in. People are already lining up outside. They are on the list...and you re not. That thing must have cost her twenty-five thousand. Easily. I think I recognise that guy from somewhere. Half the people here are probably famous...and the other half wealthy enough to not care about being famous. That VIP room is open. I m not looking to buy anything right now. If no lockpick Well, this is shop, place of business. No loitering! I m not loitering. You called me over here. Details, details. So, you need any help? I don t know if you have what I need, but― If lockpick I have everything. Take good look around, must have something you need, yes? What is it you wanted again? No decrypter You say something about cloak for mobile. That would be good. Definitely worth trading for. I ll see what I can do. You back already? Got something to trade? Something good? Trade If I can t hack the spider. Is there anything else I can do? Can t hack It s an empty capsule for the worm. A Datakey for the core room. It s been scanned. Now all I have to do is get it into the core. It looks just like a real worm. I hope this, uh, rope is strong enough to hold my weight. It s an empty jug. A rope. Acid, apparently. I d better be careful. I ve only got one of these smoke bombs, so I d better make it count. It s an iron keychain. A museum ticket. To be used with cable car, it says. It s one half of a museum ticket. The sticker seems to hold the two pieces together well. What s this key for? A datacube. I might be able to read this on one of the consoles, if they re still operational. A second museum ticket. Well, I only need one... Acid. I ll need to be careful with this. This ought to knock the guard out. This is a solid sandwich. Sleeping potion. If I add this to the sandwich, the guard s sure to fall asleep. And quick. Once the guard takes a bite of this, he ll be fast asleep. This is the only remaining copy of Klacks novel. And if I m lucky, it won t blow up in my hands. Sweetie! Are you in Newport? I just got in. It s an awful place, but I m not here to go sightseeing. I just wanted to check in to see if you have any more information for me. Not yet. I m working on it. Reza wasn t fooling around with the encryption. This thing is harder to crack than most corporate networks. All right. I guess I ll try and find out where and what The Fringe is, and see if I can find Charlie there. You do that, sweetie. I ll call you as soon as I have something for you. Thanks. Bye, Liv. Good luck. Talk to you soon. There s no answer. She s probably busy. Hiya. I was just about to call you. Did you find Charlie? I did. The Fringe is this upscale cocktail lounge, and Charlie s the manager. Reza was here, Liv. He s okay. That s great news! You know where to find him? No, but Charlie said Reza was very interested in this hotel called the Victory Hotel. I m heading over there now. Be careful, sweetie. I m here if you need me, okay? All right. Thanks. I should get going. Hey, it s me. I found out where Reza was last night - a place called the Victory Hotel. But I need your help. Sure. What do you need? Don t freak out... I need to disable a padlock. I won t ask. What does it look like? Black. Non-descript. Blue light. A small display. Your standard padlock. No keypad, so I m guessing it only works with a key. Can I hack it? Sorry, sweetie. Those things aren t usually Wired. They operate on short-range frequencies. You need to get close, and you need a lockpick. What kind of lockpick? Anything reasonably modern should be able to take care of it, unless it s really heavy duty stuff. I don t think it is. It s just a padlock on a fence. Any lockpick will do, as long as it s got multiple frequencies and a universal interface. Most do. I ll try and find one. Thanks, Liv. Zoë, is that you? It s me. I found out where Reza was last night. He went to a place called the Victory Hotel. But I need your help. If didn t talk Zoë! Is that you? Did you find a lockpick? Sort of, but I ll need your help. Sure, sweetie. What do you need? If talk I m trying to buy a lockpick from this merchant, but he doesn t want money. He wants software. I got software. What does he want? Remember that cloak you gave me? Could I get a copy of that which would work on other mobiles? Not the same one. I wouldn t give that to just anyone. But I have another software cloak. It s not as powerful as yours, but it s good stuff. I m sending it to you as we speak. I m sure he ll be ready to do business when he sees this thing. It s pretty neat. I got it. Thanks, Liv. You re the best. You re not wrong, sweetie! Good luck, okay? I ll talk to you soon. Did you find Reza? No, but...I found something that belongs to him. His lighter. And there was...blood on it. Sweetie, that doesn t mean a thing. Listen, I know he s alive. He accessed the Wire for a brief moment last night. Just a burst of data. Really? Did you see what it was? Nope. It was encrypted, to an anonymous recipient, but it was there. A sign of life. So I m sure he s okay. Have you gotten any further with his notepad? Yes and no. I ve got all the data out, and now I need to piece it all together in a coherent fashion. I ve got bits and pieces. There s a lot of stuff about the Static, but nothing you wouldn t be able to find on the Wire. Looks like he was doing research into that. That makes sense. The Static would be the kind of story Reza would be interested in. I ve got a lead myself. A guy. He said he ll help me find Reza. I m meeting him tonight, at The Fringe. All right. Call me as soon as you know more, okay? I ll get back to the notepad. I will. Thanks, Liv. Bye. talk to That was good, Zoë, but practice makes perfect. Let s start over. Wanna fight more? Not bad, Zoë. Not bad. Let s go again. You re improving, Zoë. About time. Ready for another round? Good. Positions. I need more practice No, I think I ve had enough for today. Very well. We ll pick it up again tomorrow. And do try to be on time. I m tired, and I have other things to do Reza s asked me to pick something up downtown, from a company called Jiva. They re located in the Seshadri Building. I m supposed to talk to a woman named Helena Chang. I ll need to go home and get my backpack before I leave for Newport. There may not much traffic down here at night, but a single guard watching the gate? The Azadi are getting careless. Good. You have...strong feelings regarding this matter. And freedom, Azadi - freedom is worth a lot more than you will ever know. Strong feelings? I― I shouldn t be talking to you. I have to go. I wonder what s inside... I think it s some kind of clockwork mechanism. Liv might be able to decrypt this notepad. It s a wireless lockpick that should work with most padlocks. It s just an axe. There s nothing special about it. I guess this could come in handy. Just a rag. Not very exciting, but there you go. Of course, prehistoric cavemen made torches. So I m not, you know, the first. I bought this lighter for Reza in Europolis. I hope he s okay. I m not sure how significant this is, but it was the only thing in that closet. The spice merchant is waiting for this delivery. Benrime s delivery of spices. It s for her mulled wine. Hopefully, this will be the tit for Blind Bob s tat . I need to put the worm inside this capsule to scan it. Datakey. This should give me access to the Dreamcore. I ll need to scan this before injecting it into the core. It s a dataworm, designed to infiltrate organic systems and extract information. My most treasured possession. It almost looks surprised at being used. I haven t gone anywhere in ages. I promised Wonkers I d wake him up later. And to wake up, he needs his brain back. A Watilla would need this to do anything at all. Sort of like me and caffeine. I know someone who might be able to fix these. I really shouldn t be messing with this. Reza needs it for his story...whatever that may be. I might be able to use this to open another window. It s disgusting, but hopefully I ll be able to use it for...something. I feel a strong need to wash my hands. Still, it could prove to be of use, so I ll keep it. I won t win any rope-making awards, that s for sure. Now I just need to find something to tie it to. This looks like a perfect jug for mulled wine. This rope could come in handy. This will melt right through the metal bolt. I ll need to be careful. I wouldn t want this to blow up in my face. These keys will hopefully get me out of the prison. WATIchew - packed with juicy Watilla goodness! It s a sticker. This will get me on board the cable car. Two halves make a whole. Where s the other half? If I could only find a way to put these pieces back together, I d have a valid museum ticket. I wonder if the ticket still works. Well, there s only one way to find out. There must be something I can unlock with this key. Access card. I can keep staring at this thing all night, but I won t be able to extract any information that way. Maybe I could give it to someone else? Banda Messenger Girl BunnyBot Dolmari Cortez child_grubber mother_grubber Farmer Female Samare Pigeon Trashcan_bot She has to come in sooner or later Reza had an appointment, didn t he? I should tell the receptionist about the woman on the screen Something stinks! I need to get out as quickly as possible Something isn t right, and I think that receptionist is involved. I need to distract her somehow I need to trick her into looking for that package What did I just say? The gym can wait Success! Click interaction button to continue. Success! Press A to continue. Unable to load options. Using defaults. Save new settings? You can now test your joypad configuration. Press ESCAPE when done. Test of savegame visual filenames Requested the skywalk to move down. Requested the skywalk to move to the top. Executed the fly camera sequence. That is the sequence where the camera shows the level, fly past the skywalk, then zoom down on the grubber to give a good view of him from all sides. Hopefully you enjoyed this small sequence and will visit us again for such a thrilling funride. Arnleif. Press START New Game Load Game Options Credits Bonus Back Northlands Forest Tibet Castillo Home Olivias Shop Rezas Apartment Building Underground Entrance Interrogation Room Hospital Room Jardin des Roses The Souk Inn Cellar Inn Mainhall Morning Inn Mainhall Day Inn Mainhall Night Outside inn morning Outside inn day Outside inn night Tower Square Morning Tower Square Day Magic Ghetto Day South Gate Morning South Gate Day South Gate Night Magic Docks Day Friars Keep Morning/Day Inside Friars Keep Victory Hotel Backyard Damien s Office Damien s Apartment Arboretum Reception Wati Elevator WATI Dreamcore Guardian s Realm !00 Dreamworld Combat Test Arnleifs and Mortens testlevel Startup Harbour Mothertree Library Chawans Hut The War Garden The Council Room Russia Inside The Winter Chapter Empty Slot Replace Cancel Look at Ship Zoe, you got a message! This is an automatic test message sent to you from Funcom. You can not reply to this message. Hope you enjoy this game. Thanks. Automatic message service. No reply. Produced by Funcom 2005 ~ FUNCOM Virtual Keyboard Enter description here! Climb crate Climb down from ledge Climb long ladder This is an item This is another item This is yet another item This and last item Examine taxi Use taxi It s an official Casablanca city cab. Not only are they free, they re super comfy. Examine taxi I should head downtown. Reza needs that package. Examine taxi second time use button examine button Post-Collapse, they had to install manual call buttons for all taxis. No more neural interfacing with the Wire. That button calls an elevator pod. It s some kind of strange, glowing egg, mounted on a stick. I ve been working with Jama for years and years, but she s just too demanding. I can t ever please her. Olivia Morning, sweetie! Where are you off to in such a hurry? Hi, Liv. I m going to the gym and I m running a bit late, so―